PAINTINGS BY THE THREE MASTERS FROM THE CONGYUN XUAN COLLECTION (LOTS 1389-1403)The term “Three Masters Crossing the Sea” first appeared in the public in 1993, when the National Museum of History in Taipei held the exhibition Three Masters Crossing the Sea to show the works of the three artists. All born at the end of 19th century, Huang Junbi, Zhang Daqian and Pu Ru are masters of Chinese modern ink paintings. They came from different family backgrounds, yet all of them left mainland China in 1949 and ended up in Taiwan due to the change of course of history. “Crossing the Sea” therefore not only means the shift in geographical location, but also symbolises a major cultural reconstruction when the three left their motherland for Taiwan and the world.Five works from each artist were carefully selected for the sale from the Congyun Xuan Collection. The works span over a long period of time from before to after their migration, which greatly enriches the understanding of the stylistic changes and social interactions of the three artists. Ladies and Butterflies by Zhang Daqian, formerly the property of the Huang Junbi Collection is an extremely rare work from Zhang Daqian’s early period. One can trace the difference in his later figure paintings under the influence of the art of Dunhuang. Splashed-Ink Landscape and Splashed-Colour Lotus, both dedicated to He Haotian, the former Director of the National Museum of History, are also the finest works of the kind. They reflect Zhang Daqian’s deep association with arts and cultures. Also in the collection is Ink Lotus dedicated to Huang Junbi in the 1930s, which reflects the long-lasting friendship of the two artists. Amongst the works by Huang Junbi are some of his early fine-brushwork paintings of flowers and birds as well as his iconic landscape works after he crossed the sea. Returning Home is included in Collection of Paintings by Huang Junbi published by National Museum of History in 1974. Pu Ru’s works are combinations of paintings and calligraphy. His paintings exhibit the most elegant flair and the handscrolls are incredibly fine.Congyun Xuan was founded by Chang Fu-Ying, a student of Huang Junbi. Named by Huang Junbi himself, it primarily collected Huang Junbi’s works and later incorporated works by the Three Masters and great artists such as Xu Beihong and Fu Baoshi. In 2011, the National Dr. Sun Yat-Sen Memorial Hall in Taipei held a major exhibition on the Three Masters as a historical summary and commemoration of some of the greatest artistic treasures of our time. Most of the works were on display in this exhibition. We hope that the sale of this very important collection and other works by the three artists can inspire the appreciation of their artistry and reinvigorate the discussion on the Three Masters Crossing the Sea.
ZHANG DAQIAN (1899-1983)
Landscape in Splashed Ink
Details
ZHANG DAQIAN (1899-1983)
Landscape in Splashed Ink
Scroll, mounted and framed, ink and colour on paper
Inscribed and signed, with two seals of the artist and one dated seal of yimao year (1975)
Dated twelfth month, sixty-fourth year (of the Republic, 1975)
Dedicated to Haotian
EXHIBITED:
Taipei, National Dr. Sun Yat-Sen Memorial Hall, The Three Masters: Chang Dai-Ch'ien, P'u Hsin-yin, Huang Chun-Pi, February 17 to March 13, 2011.
LITERATURE:
The Three Masters: Chang Dai-Ch'ien, P'u Hsin-yin, Huang Chun-Pi, National Dr. Sun Yat-Sen Memorial Hall, Huang Chun-Pi Fine Arts Fellowship Foundation, Taipei, 2011, p.18-19.
60 x 97 cm. (23 5/8 x 38 ¼ in.)
Landscape in Splashed Ink
Scroll, mounted and framed, ink and colour on paper
Inscribed and signed, with two seals of the artist and one dated seal of yimao year (1975)
Dated twelfth month, sixty-fourth year (of the Republic, 1975)
Dedicated to Haotian
EXHIBITED:
Taipei, National Dr. Sun Yat-Sen Memorial Hall, The Three Masters: Chang Dai-Ch'ien, P'u Hsin-yin, Huang Chun-Pi, February 17 to March 13, 2011.
LITERATURE:
The Three Masters: Chang Dai-Ch'ien, P'u Hsin-yin, Huang Chun-Pi, National Dr. Sun Yat-Sen Memorial Hall, Huang Chun-Pi Fine Arts Fellowship Foundation, Taipei, 2011, p.18-19.
60 x 97 cm. (23 5/8 x 38 ¼ in.)
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