UMBERTO BELLOTTO (1882-1940)
UMBERTO BELLOTTO (1882-1940)
UMBERTO BELLOTTO (1882-1940)
UMBERTO BELLOTTO (1882-1940)
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Please note this lot will be moved to Christie’s F… Read more Property of a Private Canadian Collector
UMBERTO BELLOTTO (1882-1940)

AN IMPORTANT GATE, 1924

Details
UMBERTO BELLOTTO (1882-1940)
AN IMPORTANT GATE, 1924
executed for the 1924 Venice Biennale, wrought iron
78 ¾ in. (200 cm.) high, 61 ½ in. (156 cm.) wide, 19 ½ in. (49.5 cm.) deep
Provenance
Galleria Cesana, Italy, 1980s
Literature
M. Paola Maino, I. de Guttry, 'The Magician of Iron - Umberto Bellotto', Forme Moderne, n. 4, 2010, p. 15 for this gate illustrated in situ in one of Bellotto's rooms at the 1924 Venice Biennale.
Exhibited
Venice, XIV Biennale, 1924
Special Notice
Please note this lot will be moved to Christie’s Fine Art Storage Services (CFASS in Red Hook, Brooklyn) at 5pm on the last day of the sale. Lots may not be collected during the day of their move to Christie’s Fine Art Storage Services. Please consult the Lot Collection Notice for collection information. This sheet is available from the Bidder Registration staff, Purchaser Payments or the Packing Desk and will be sent with your invoice.

Lot Essay

The son of a Venetian blacksmith, Bellotto inherited the family business when he was only 19 years old and immediately embarked on a journey of experimentation with ironwork. He gained recognition at the Venice Biennale of 1914 where he exhibited a collection of eccentric works, combining iron with an array of antithetical materials such as leather, ceramic and glass. The present gate, which was presented at the Venice Biennale of 1924, links ancient Venetian traditions with the modern early 20th century taste. It shows off Bellotto’s love of myth and allegory, his devotion to the traditional Venetian theme of the sea and is an exceptional example of his remarkable skill in transforming a hardened material like iron into a fluid and dynamic work of art.

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