ANSEL ADAMS (1902–1984)
From time to time, Christie's may offer a lot whic… 顯示更多
ANSEL ADAMS (1902–1984)

Mount Williamson, Sierra Nevada, from Manzanar, California, 1944

細節
ANSEL ADAMS (1902–1984)
Mount Williamson, Sierra Nevada, from Manzanar, California, 1944
gelatin silver print, mounted on board, printed by 1952
signed in pencil (mount, recto); stamped photographer's credit [BMFA 4], credited and titled on affixed Museum of Modern Art exhibition label, titled, annotated 'Courtesy of Fortune Magazine' and 'original print' in pencil and reproduction limitation in ink (mount, verso)
image/sheet: 14 1/4 x 18 in. (36.2 x 45.7 cm.)
mount: 14 3/4 x 18 3/4 in. (37.4 x 47.5 cm.)
來源
Acquired directly from the artist by the Museum of Modern Art, New York, 1982.
出版
Beaumont Newhall, The History of Photography from 1839 to the present day, The Museum of Modern Art, New York, 1964, p. 133.
James Alinder, Ansel Adams: 1902-1984, The Friends of Photography, Carmel, 1984, p. 16.
Anne Hammond, Ansel Adams: Divine Performance, Yale University Press, New Haven, 2002, p. 116.
Andrea G. Stillman, Ansel Adams: 400 Photographs, Little, Brown and Company, New York, 2007, p. 261.
Andrea G. Stillman, Looking at Ansel Adams: The Photographs and the Man, Little, Brown and Company, New York, 2012, p. 159.

展覽
New York, The Museum of Modern Art, Diogenes with a Camera II, November 25, 1952–March 8, 1953, no. 18.
注意事項
From time to time, Christie's may offer a lot which it owns in whole or in part. This is such a lot.

拍品專文

The 1952–1953 exhibition Diogenes with a Camera II was organized by Edward Steichen, then the Director of The Museum of Modern Art's Department of Photography. Consisting of 130 photographs, this was the second in a series of exhibitions that aimed to 'demonstrate how the art of photography has added to our knowledge of the truth'. The present work by Ansel Adams was included in this exhibition, along with works by Dorothea Lange, Tosh Matsumoto, Aaron Siskind, Todd Webb and Man Ray.

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