REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

Jan Uytenbogaert, 'The Goldweigher'

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Jan Uytenbogaert, 'The Goldweigher'
etching and drypoint, 1639, on laid paper, watermark Strasbourg Bend (see Hinterding C.a.), a fine, early impression of New Hollstein's second state (of three), printing with much burr on the coat and very good contrasts, with small margins, a repaired horizontal split, some minor foxing, otherwise in good condition
Plate 252 x 204 mm., Sheet 258 x 211 mm.
Provenance
Richard Harris (b. 1937), New York (Lugt 4364).
Literature
Bartsch, Hollstein 281; Hind 167; New Hollstein 172

C. White, Rembrandt as an Etcher, New Haven and London, 1999 pp. 135-136.
E. Hinterding, Rembrandt the Printmaker, London, 2000, pp. 170-173.

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Lot Essay

The acquaintance between Rembrandt and Jan Uytenbogaert (1608-1680), chief tax collector in Amsterdam, may have begun in Leyden, where the artist was working and living at the time, Uytenbogaert was studying Law. They may have also met a few years later in Amsterdam, as both shared an interest in prints and an eagerness in print collecting. In 1639, Rembrandt bought his house on Breestraat but soon defaulted the payment due to a lack of funds and was helped by the tax collector, who interceded for him. It cannot be a coincidence that the present etching was made by Rembrandt that same year, possibly to express his gratitude for Uytenbogaert's intervention. The artist depicts him in his office engaged in his daily duties, weighing and recording bags of money handed to him by a kneeling servant. It is almost a genre scene and the sitter is dressed in 16th century costume, including a luxurious fur coat, rendered with drypoint with rich, velvety fur.

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