Jafar Rouhbakhsh (Iranian, 1940-1996)
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Jafar Rouhbakhsh (Iranian, 1940-1996)

Abstract Composition in Turquoise and Blue

細節
Jafar Rouhbakhsh (Iranian, 1940-1996)
Abstract Composition in Turquoise and Blue
signed ‘Rouhbakhsh’ (lower right)
oil on canvas
51 1/8 x 63 ½ in. (130 x 161.5cm.)
Painted circa late 1980s
來源
Galerie D. Assadi, Switzerland.
Private collector, Switzerland, thence by descent.
Anon. sale, Dogny Marc, Lausanne, 6 March 2018, lot 260.
Acquired at the above sale by the present owner.
注意事項
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends.

拍品專文


This is an exceptionally beautiful work by the Iranian artist Jafar Rouhbakhsh painted with a vibrant interplay between abstract geometric shapes, scintillating blues, silver, gold, and diverse patterns giving the work a certain luminosity. His attention to delicate lines and bold colours constitute his intuitive and philosophical experimentation with metaphysics and the designs and aesthetics of Iranian miniatures, glass paintings, carpets and tapestries. Symbolic themes recurring in his works include the sun, fountain of youth, birds, and the tree of life, identified with yellow and gold rectangles overlapping each other. The balanced compositions of lines and squares produce a delicate mass of diverse patterns, hinting towards a Western geometric abstraction yet altered into more familiar forms of the abstract painting of his domestic region.

Rouhbakhsh trained in decorative painting at the Faculty of Fine Arts of the University of Tehran. In the early 1970s, Rouhbakhsh gained a scholarship in France and worked with Joan Miró in a workshop, while also visiting studios of Chagall and Tàpies, exposing himself to alternative artistic processes including carving, hand-printing and engraving. In 1974, he was honored with an exhibition at the Grand Palais in Paris at the invitation of the ‘Fondation Maeght’.

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