Paul Gauguin (1848-1903)
Paul Gauguin (1848-1903)
Paul Gauguin (1848-1903)
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Paul Gauguin (1848-1903)
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GAUGUIN’S ODYSSEY: SELECTIONS FROM THE KELTON COLLECTION
Paul Gauguin (1848-1903)

Vase décoré avec feuillage, raisins et animaux

Details
Paul Gauguin (1848-1903)
Vase décoré avec feuillage, raisins et animaux
stamped with Chaplet's monogram (on the underside)
dark brown stoneware, partially engraved, with colored engobe and glaze
Height: 9 ½ in. (24.1 cm.)
Width: 12 in. (30.5 cm.)

Provenance
Gustave Fayet, Béziers.
Gérard Fayet, Védilhan (by descent from the above).
Stephen Hahn Gallery, New York.
Frederic W. Ziv, Cincinnati (acquired from the above, October 1967); Estate sale, Sotheby's, New York, 9 May 2002, lot 141.
Acquired at the above sale by the late owner.
Literature
C. Gray, Sculpture and Ceramics of Paul Gauguin, Baltimore, 1963, p. 182, no. 64 (illustrated).
W. Andersen, "Christopher Gray, Sculpture and Ceramics of Paul Gauguin," The Art Bulletin 46, no. 4, December 1964, p. 582.
M. Bodelsen, Gauguin's Ceramics: A Study in the Development of His Art, London, 1964, pp. 72, 104, 232, no. 35 (illustrated in color, p. 75, fig. 54).
Exhibited
Rome, Complesso del Vittoriano, Paul Gauguin: Artist of Myth and Dream, October 2007-February 2008, p. 228, no. 39 (illustrated in color, p. 229; dated 1888 and titled Vase with Geese).
Chicago, The Art Institute of Chicago and Paris, Galeries nationales du Grand Palais, Gauguin: Artist as Alchemist, June 2017-January 2018, no. 87 (illustrated in color, p. 80; dated 1887-1888 and titled Vase orné de feuillages, de grappes de raison et d'oies.)
Sale Room Notice
Please note the additional literature and exhibition history for this work, which can be viewed online.

Brought to you by

Sarah El-Tamer
Sarah El-Tamer

Lot Essay

This work will be included in the forthcoming Paul Gauguin Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.
Gauguin began to produce ceramics in 1886, shortly before he left Paris for his first seminal trip to Brittany. He had been introduced by his friend, the painter and engraver Félix Bracquemond to Ernest Chaplet, one of the leading ceramicists of his day and, seeking to supplement his meagre income, Gauguin arranged to make pottery in Chaplet's studio on the rue Blomet and to split the proceeds between them. At the outset, the agreement was that Chaplet would make the ceramics, and Gauguin would decorate them, as seen in the present work.

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