TOM WESSELMANN (1931-2004)
TOM WESSELMANN (1931-2004)
TOM WESSELMANN (1931-2004)
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TOM WESSELMANN (1931-2004)
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Property from a Private California Collection
TOM WESSELMANN (1931-2004)

Study for Seascape #16

Details
TOM WESSELMANN (1931-2004)
Study for Seascape #16
signed and dated 'Wesselmann 66' (lower right); inscribed 'GIFT JENNY WESSELMANN 1986' (on the reverse)
Liquitex, oil and graphite on Bristol board
image: 12 5⁄8 x 12 1⁄8 in. (32.1 x 30.8 cm.)
sheet: 14 1⁄2 x 16 in. (36.83 x 40.6 cm.)
Executed in 1966.
Provenance
Jenny Claire Wesselmann, New York, gift of the artist, 1986
Galerie Daniel Varenne, Geneva
Anthony Ralph Gallery, New York
Acquired from the above by the present owner
Further Details
Please note that this work will be included in the Tom Wesselmann Digital Corpus and the forthcoming Tom Wesselmann Digital Catalogue Raisonné both published by the Wildenstein Plattner Institute.
Sale Room Notice
Please note this work is inscribed ‘GIFT OF JENNY WESSELMANN 1986’ (on the reverse) and will be included in the Tom Wesselmann Digital Corpus and the forthcoming Tom Wesselmann Digital Catalogue Raisonné, both published by the Wildenstein Plattner Institute.

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Lot Essay

When I made the decision in 1959 that I was not going to be an abstract painter, that I was going to be a representational painter, I had absolutely no enthusiasm about any particular subject or direction or anything. I was starting from absolute zero. And in choosing representational painting, I decided to do, as my subject matter, the history of art: I would do nudes, still lives, landscapes, interiors, portraits, etc. It didn’t take long before I began to follow my most active interests: nudes and still lives.
– Tom Wesselmann

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