Details
KATSUSHIKA HOKUSAI (1760-1849)
Lilies
Woodblock print, from an untitled series known as Large Flowers, signed Saki no Hokusai Iitsu hitsu, published by Nishimuraya Yohachi (Eijudo), circa 1833-34
Horizontal oban: 10 x 14 1⁄4 in. (25.4 x 36.2 cm.)
Provenance
Henri Vever (1854-1943), Paris, sold at Sotheby's London, Highly Important Japanese Prints, Illustrated Books and Drawings from the Henri Vever Collection: Part I, 26 March 1974, lot 298
Huguette Berès, Paris, sold at Sotheby's Paris, Collection Huguette Berès: estampes, dessins et liveres illustres Japonais, 27 November 2002, lot 97

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Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

Lot Essay

Hokusai’s intention of portraying flowers in an anthropomorphic manner is well demonstrated in this design. He avoided using a full front angle, in the same manner of portraying courtesans at the time. Portrayed against a plain background, the lilies in various blooming stages occupied the entire picture. The various stages perhaps resemble different stages of a courtesan’s life. The start-to-bloom lily is slightly intimidated and almost closing herself, but the tiny open pedal tips suggest her unconceivable curiosity; the half-bloom one, though turning to her side, is waiting quietly for her moment; the fully bloomed lily at the bottom glories in her beauty much like a parading geisha. The buds, only revealing their tips, are reminiscent of maiko, or the apprentice geisha. A group portrait of beauties in Yoshiwara is presented here.

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