PIERRE PAULIN (1927-2009)
PIERRE PAULIN (1927-2009)
PIERRE PAULIN (1927-2009)
PIERRE PAULIN (1927-2009)
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ADAM: Works from the Collection of Adam Lindemann
PIERRE PAULIN (1927-2009)

'Rosace' Low Table, designed circa 1970

Details
PIERRE PAULIN (1927-2009)
'Rosace' Low Table, designed circa 1970
Édition Alpha International
acrylic, smoked glass
11 3/4 in. (30 cm) high, 47 1/4 in. (120 cm) diameter
Provenance
Demisch Danant, New York
Acquired from the above by the present owner, 2010
Literature
A. Bony, Les Années 60, Paris, 1983, p. 463
Mobilier national, 20 ans de création, exh. cat., Centre Georges Pompidou, Centre de Création Industrielle, Paris, 1984, p. 90 (for a sketch of the model)
A. Chapoutot, Pierre Paulin: Un Univers des Formes, Paris, 1992, pp. 90-91, 94-95
Mobilier National, 1964-2004, 40 ans de création, exh. cat., Palais de la Porte Dorée and Musée d’Art et d’Industrie, Paris, 2004, p. 53
É. Védrenne, Pierre Paulin, New York, 2004, p. 44-45, 77
G. Bloch-Champfort and P. Favardin, Les Décorateurs des années 60-70, Paris, 2007, p. 257
Pierre Paulin, Designer, exh. cat., Grand-Hornu, Paris, 2008, pp. 122, 123, 214
N. Descendre, Pierre Paulin, L'homme et l'oeuvre, Paris, 2014, pp. 88, 155, 158, 227

Brought to you by

Julian Ehrlich
Julian Ehrlich Associate Vice President, Specialist, Head of Post-War to Present Sale

Lot Essay

For the renovation of the Elysée Palace in the late 1960s, Pierre Paulin designed the Rosace table basse for the library in the private apartments of the President, Georges Pompidou. The low table featured a soft glow emanating from its base, taking the form of undulating petals, a complementary characteristic for the peaceful quiet atmosphere of the room. As part of the commission, facilitated by L’Atelier de Recherche et Creation (ARC), a branch of the Mobilier National, a limited number of editions were created and sold to the public. The goal of the ARC was to promote and disseminate the work of Contemporary French designers and artists. The Elysée palace renovation was the inaugural project of the ARC and marked not only a change in Paulin’s aesthetics but also a change in French society. The deep curves and softness of the Rosace table basse represent a step away from the rigid functionality of early modernism and toward a more organic conformation. Designs from Pierre Paulin are featured in the collections of respected museums worldwide, including the Centre Pompidou in Paris and the Museum of Modern Art in New York.

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