RARE THANGKA REPRÉSENTANT CHATURMUKHA MAHAKALA
ƒ: In addition to the regular Buyer’s premium, a c… Read more Property of a Southeast Asian collector
RARE THANGKA REPRÉSENTANT CHATURMUKHA MAHAKALA

TIBET, XVÈME SIÈCLE

Details
RARE THANGKA REPRÉSENTANT CHATURMUKHA MAHAKALA
TIBET, XVÈME SIÈCLE
Il est représenté en pratyalidhasana piétinant des divinités placées sur une base lotiforme. Il tient dans ses mains principales le karttrika et le kapala. Ses deux autres mains portent le khadga et le trishula. Il est vêtu d'une peau de tigre. Il est paré de bijoux et d'un mala de têtes coupées. Ses quatre visages sont empreints d'une expression féroce.
Dimensions de la peinture: 52 x 47,7 cm. (20 1/2 x 18 3/4 in.), encadré sous verre
Provenance
Christie's New York, 21 March 2012, lot 771.
Special Notice
ƒ: In addition to the regular Buyer’s premium, a commission of 5.5% inclusive of VAT of the hammer price will be charged to the buyer. It will be refunded to the Buyer upon proof of export of the lot outside the European Union within the legal time limit. (Please refer to section VAT refunds)
Further Details
A RARE FRAMED AND GLAZED THANGKA DEPICTING CHATURMUKHA MAHAKALA
TIBET, 15TH CENTURY

Brought to you by

Tiphaine Nicoul
Tiphaine Nicoul Head of department

Lot Essay

The central deity, Chaturmukha Mahakala ("Four-faced Mahakala"), is the second of the principle protector deities in the Sakya tradition of Tibetan Buddhism. There are five forms of Chaturmukha Mahakala, and this painting depicts all of them. With the white and red faces on either side of the central blue face, the central deity can be identified as the Accomplishment form of Chaturmukha Mahakala. The diminutive Approximation form with green faces is located to the right of the central figure's head, while the Demon Faces form with the elephant and lion faces is located to the right of the trident. The other two forms, Performing Activities and Four Families, are at bottom center and bottom left, respectively.

Because most of the lineage teachers can be identified, it is possible to roughly date the age of the painting. As Khedrubje Geleg Palzang (1385-1438), student of Tsongkhapa, is located towards the end of the lineage without subsequent teachers after him, it can be assumed that this painting dates from not long after his death.

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