PROPERTY FROM THE COLLECTION OF SHIRLEY ROSS DAVIS
DAVID HOCKNEY (B. 1937)

Celia Seated on an Office Chair

Details
DAVID HOCKNEY (B. 1937)
Celia Seated on an Office Chair
etching with aquatint in colors, on Rives BFK paper, 1974, signed and dated in pencil, numbered 'A.P. IX/XVI' (an artist's proof, the edition was 60), published by Petersburg Press, London and New York, 1981, with full margins, in generally good condition, framed
Image: 27 x 21 ½ in. (686 x 546 mm.)
Sheet: 35 5⁄8 x 29 5⁄8 in. (905 x 753 mm.)
Literature
Museum of Contemporary Art Tokyo 160
Further Details
Celia Birtwell (born 1941) is a British textile designer. She studied fabric design at Salford and met Hockney in 1961 through his friend Mo McDermott and the fashion designer Ossie Clark, whom she married in 1969. His favorite female sitter, Hockney has portrayed Celia many times throughout their long and enduring friendship. Although these portraits reflect Hockney's many stylistic changes and technical variations over the years, they consistently capture Birtwell's gentle femininity as well as a hidden steeliness.

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Lot Essay

While at the Royal College of Art in London, Hockney’s friend and fellow artist R.B. Kitaj encouraged him to use items and people from everyday life as the subject of his work. Hockney turned to the people that were closest to him as his sitters: his friends and family.

In 1961, Mo McDermott and Ossie Clark, both of whom have been frequently portrayed in Hockney’s portraiture, introduced him to British textile designer Celia Birtwell. Celia studied fabric design at Salford and went on to marry Ossie Clark in 1969. The two became fast friends as they bonded over their northern roots and shared sense of humor.

“She’s playful, funny. When I first met her, I was attracted to the fact that she could make me laugh.” – David Hockney, speaking about Celia Birtwell

Hockney waited until 1968 to draw Celia for the first time, once the pair was better acquainted. Since then, the artist has portrayed Celia many times through their long and enduring friendship. She has been depicted in a variety of scenes: on an office chair, in a green hat, with her husband, and more. Celia is often shown in her own fabric designs, often thinking of their sittings as collaborations. Hockney has remained inspired by Celia as the two have aged, and she has remained one of the artist’s favorite models.

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