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Indianapolis, 1956
Details
ROBERT FRANK (1924–2019)
Indianapolis, 1956
gelatin silver print, printed 1979
signed and dated in ink (margin); signed and dated in ink, stamped photographer’s copyright and Archive credits (verso)
image: 8 1/2 x 12 3/4 (21.5 x 32.3 cm.)
sheet: 11 x 14 in. (28 x 35.5 cm.)
Indianapolis, 1956
gelatin silver print, printed 1979
signed and dated in ink (margin); signed and dated in ink, stamped photographer’s copyright and Archive credits (verso)
image: 8 1/2 x 12 3/4 (21.5 x 32.3 cm.)
sheet: 11 x 14 in. (28 x 35.5 cm.)
Literature
Robert Frank and Jack Kerouac, The Americans, Grove Press, New York, 1959, p. 173.
Sarah Greenough, Looking In: Robert Frank's The Americans, National Gallery of Art, Washington, D.C., 2009, pp. 309, 482, and 483, and Contact no. 82.
'The Highway: Four Photographs by Robert Frank,' Current, November 1960, p. 36.
Willy Rotzler, ‘Der Photograph Robert Frank,’ Du, January 1962, p. 18.
Robert Frank, Aperture, Millerton, 1976, p. 37.
Sarah Greenough et al., Robert Frank: Moving Out, National Gallery of Art, Washington, D.C., 1994, p. 195.
Ian Penman, Robert Frank: Storylines, Tate Modern, London, 2004, frontispiece 2.
Sarah Greenough, Looking in: Robert Frank's The Americans, National Gallery of Art, Washington, 2009, p. 309.
Sarah Greenough, Looking In: Robert Frank's The Americans, National Gallery of Art, Washington, D.C., 2009, pp. 309, 482, and 483, and Contact no. 82.
'The Highway: Four Photographs by Robert Frank,' Current, November 1960, p. 36.
Willy Rotzler, ‘Der Photograph Robert Frank,’ Du, January 1962, p. 18.
Robert Frank, Aperture, Millerton, 1976, p. 37.
Sarah Greenough et al., Robert Frank: Moving Out, National Gallery of Art, Washington, D.C., 1994, p. 195.
Ian Penman, Robert Frank: Storylines, Tate Modern, London, 2004, frontispiece 2.
Sarah Greenough, Looking in: Robert Frank's The Americans, National Gallery of Art, Washington, 2009, p. 309.
Brought to you by
Shlomi Rabi