David Jones, C.H. (1895-1974)
Artist's Resale Right ("Droit de Suite"). Artist's… Read more
David Jones, C.H. (1895-1974)

Doors of Glass

Details
David Jones, C.H. (1895-1974)
Doors of Glass
signed and dated 'David J/31' (lower right)
pencil, watercolour and gouache on paper
24 x 19 ½ in. (61 x 49.5 cm.)
Executed in 1931.
Provenance
with Redfern Gallery, London, 1949.
with Frost and Reed, London, 1951.
with Jonathan Clark, London, where purchased by the present owner in July 1999.
Literature
H.J. Paris, British Watercolour Painters, London, 1945, n.p., illustrated.
Exhibited
Arts Council of Great Britain, Welsh Committee, Painters of the Sea, 1954, no. 28, catalogue not traced.
Chichester, Pallant House Gallery, The Art of David Jones: Vision and Memory, October 2015 - February 2016, exhibition not numbered: this exhibition travelled to Nottingham, Djanogly Art Gallery, March - June 2016.
Special Notice
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

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Philip Harley
Philip Harley

Lot Essay


Jones loved the transparency of glass and used the device of looking through a window frequently in his work. In the 1920s and early 1930s, the Jones family rented the bungalow at No 5 Western Esplanade at Hove, or Portslade, as a holiday home for several months each year. A particular feature of the property was the verandah which looked out over the sea. Jones described the villas as being ‘built literally on the sea margin so that if the weather were at all rough, surf and spray broke on the seaward balconies.’ In this painting the framework of the glazed door becomes the pictorial structure, within which there is so much concentrated movement, colour and drama of the elements, that a ship moving across the sea becomes almost an afterthought. Perhaps because of the restless, lively quality of these seaside images, the paintings Jones made at Portslade were among those he liked best in later years.

A.L.

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