A Large Soviet Propaganda Dish

BY THE IMPERIAL PORCELAIN FACTORY, ST PETERSBURG, PERIOD OF NICHOLAS II, AND THE STATE PORCELAIN FACTORY, ST PETERSBURG, 1921

Details
A Large Soviet Propaganda Dish
By the Imperial Porcelain Factory, St Petersburg, period of Nicholas II, and the State Porcelain Factory, St Petersburg, 1921
Oval, painted after a design by Sergei Chekhonin, the centre inscribed in Russian 'Autographs of the Agents of the Great Russian October Revolution' between a radiating sun inscribed '1917' and a globe showing Russia above a hammer and sickle, within a continuous red ribbon, the border with leaves alternating with the facsimile signatures of (clockwise from the bottom) A. Enukidze, V. Yakovleva, V. Volodarsky, G. Zinoviev, L. Trotsky, M. Uritsky, Podbelsky, K. Eremeev, A. Riazanov, N. Krestinsky, A. Lunacharsky, V. Ulyanov (Lenin), G. Chicherin, Kollontai, Vlad. Bonch-Bruevich, S. Gusev and S. Zorin, with gold rim, marked under base with masked Imperial factory mark, overglaze blue hammer, sickle and cog mark and the date '1921'
21 3/8 in. (54.3 cm.) long
Literature
A. Efros and N. Punin, S. Chekhonin, Moscow, 1923.
E. Gollerbach and M. Farmakovskii, Russian Artistic Porcelain, Leningrad, 1924, pp. 56 and 71.
Daily Telegraph and Morning Post, 13 December 1946, illustrated.
L. Andreeva, Soviet Porcelain, Moscow, 1975, p. 114.
R. Guerra, 'S. Chekhonin, Master of Russian Graphics', Russian Almanach, Paris, 1981, pp. 184-187.
N. Lobanov-Rostovsky, Revolutionary Ceramics, New York, 1990, pp. 44-45, illustrated.
E. Sametskaya, Soviet Propaganda Porcelain, Moscow, 2004, p. 367, illustrated.
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Lot Essay

Sergei Vasil'evich Chekhonin (1878-1936) studied with Ilya Repin at the Tenisheva School from 1897-1900 and worked at the Abramtsevo Ceramics workshop of S. Mamontov from 1904 to 1907. He served as Artistic Director of the State Porcelain Factory in 1918-1923 and 1925-1927, and left Russia for Paris in 1928.

Little is known about this unusually large and rare plate, neither the occasion for which it was made nor how many examples were produced. The design is notable for incorporating a variety of styles of calligraphy, including Chekhonin's new technique, called blanc et noir, of 'emptying' the 'body' of each letter with scrolls. The red ribbon around the cavetto is derived from the service of the Order of St Alexander Nevsky, commissioned from the Gardner Factory by Empress Catherine II in 1780. Of the revolutionary leaders whose signatures appear on the border, at least five were victims of Stalin's purges.

For another example of this design, see Christie's, London, 6 October 1988, lot 292.

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