A WHITE MARBLE FIGURE OF A SEATED LUOHAN
A WHITE MARBLE FIGURE OF A SEATED LUOHAN
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PROPERTY FROM THE COLLECTION OF JULIA AND JOHN CURTIS
A WHITE MARBLE FIGURE OF A SEATED LUOHAN

NORTHERN SONG DYNASTY, DATED AD 963

Details
A WHITE MARBLE FIGURE OF A SEATED LUOHAN
NORTHERN SONG DYNASTY, DATED AD 963
The figure is shown seated on a rock base, dressed in a long robe that opens at the chest and reveals the luohan's bony frame. The right arm rests on the bended knee and the left hand is raised and covered with a cloth to display an object (now missing), with one leg pendent and the other tucked in front of the body with only the toe emerging from the bottom of the robe above the empty slipper resting on the rock base. The face is rendered with a pointed nose and full eyebrows and with a contemplative gaze. The back of the rock base is carved with a lengthy inscription including the date corresponding to AD 963.
18 ¼ in. (46.4 cm.) high
Provenance
Kaikodo, New York, 1998.
Literature
Kaikodo, A Garden Show, New York, 1998, pp.150-151, 250-251, no. 58.
Exhibited
New York: Kaikodo, A Garden Show, 14 September - 24 October, 1998.

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Lot Essay

The inscription may be read, 'Madame Jia, the virtuous benefactress (of Buddhism) and mother of Li Yin, commissioned two Luohan statues for her entire family to worship, the first day of the sixth month of the fourth year of the Jianlong reign (AD 963).'

Images of luohan, the enlightened semi-historical followers of the Buddha, became exceedingly popular in China from the Tang period onwards. Because they were often depicted in groups of at least 16, artists began to imbue the different luohan with individualized or distinguishing characteristics of their spiritual states. Because of the portrait-like depictions of many sculptures of luohan in different media from the Song dynasty onwards, it has been suggested that some of these depictions may have been portraits of actual monks (see Kaikodo 1998, A Garden Show, p. 150, and pp. 250-251 for illustrations of luohan figures in different media).

The current figure is unusual for its small size and its depiction in marble. Larger stone examples exist with the luohan similarly posed with a lion or other attribute. See China 5000 Years, New York, 1988, no. 177, for two larger (38 cm.), seated stone figures of arhats (luohan) now in the Shaanxi History Museum.

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