Hendrik van Steenwijck II (?Antwerp c. 1580-1649 ?Leiden)
Hendrik van Steenwijck II (?Antwerp c. 1580-1649 ?Leiden)
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PROPERTY FROM A UK PRIVATE COLLECTION
Hendrik van Steenwijck II (?Antwerp c. 1580-1649 ?Leiden)

Interior of a church with a seated figure by lamplight

Details
Hendrik van Steenwijck II (?Antwerp c. 1580-1649 ?Leiden)
Interior of a church with a seated figure by lamplight
signed and dated 'HvS / 163[8]' (lower left)
oil on panel
3 7/8 x 5 5/8 in. (10 x 14.1 cm.)
Provenance
Elizabeth Maitland, Duchess of Lauderdale, 2nd Countess of Dysart (1626-1698), Ham House, Surrey, listed in the inventory of circa 1683, inv. no. 132, as ‘A perspective of Stanewick’, and by descent at Ham House to,
Lionel William John Tollemache, 8th Earl of Dysart (1794-1878), Ham House, Surrey, listed in the inventory of 1844, as ‘Steenwix. Lamplight’, and by descent to,
William John Manners Tollemache, 9th Earl of Dysart, DL (1895-1935), Ham House, Surrey, listed in the invemntory of 1930 as ‘Interior by Lamplight’, by whom bequeathed with Ham House in 1935 to his second cousin,
Sir Lyonel Tollemache, 4th Bt. (1854-1952), and by inheritance through his granddaughter,
Barbara Judd (1926-2013), to the present owner.
Literature
C. Rowell, ‘The Green Closet at Ham House: A Charles I Cabinet Room and its Contents’, Ham House: 400 Years of Collecting and Patronage, C. Rowell (ed.), New Haven and London, 2013, p. 25; Appendix 2, pp. 417, no. 132 and 428; and Appendix 5, pp. 464, no. 132 and 497.

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Maja Markovic
Maja Markovic

Lot Essay

This picture was first recorded in the ‘Estimate of Pictures’ made in circa 1683 of the free-hanging pictures at Ham House. It was compiled for Elizabeth Maitland, Duchess of Lauderdale, 2nd Countess of Dysart (1626-1698), who had inherited the house, and the Dysart title, from her father, as the eldest of his five daughters. In the list of pictures hanging in the Green Closet were recorded two works described respectively as ‘132. A perspective by Stanewick. £6’ and ‘164. A perspective of Stanwick. £10’. Given later records of the paintings at Ham, the first of these can be identified as the present work since reference is frequnetly made to its depiction fo lamplight in subsequent lists of pictures. The painting remained in the Dysart collection at Ham, hanging in the Green Closet, where it is visible in a photograph of the room, published in 1920 (Country Life, March 1920), displayed alongside the Cathedral interior offered in the Old Masters Evening sale.

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