CIRCLE OF DONATELLO (1386-1466), FLORENTINE, CIRCA 1420-40
CIRCLE OF DONATELLO (1386-1466), FLORENTINE, CIRCA 1420-40
CIRCLE OF DONATELLO (1386-1466), FLORENTINE, CIRCA 1420-40
CIRCLE OF DONATELLO (1386-1466), FLORENTINE, CIRCA 1420-40
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PROPERTY OF A LADY (LOTS 111, 261 AND 262)
CIRCLE OF DONATELLO (1386-1466), FLORENTINE, CIRCA 1420-40

BUST OF A BOY, PROBABLY SAINT JOHN THE BAPTIST

Details
CIRCLE OF DONATELLO (1386-1466), FLORENTINE, CIRCA 1420-40
BUST OF A BOY, PROBABLY SAINT JOHN THE BAPTIST
Polychrome gesso; depicted with head facing slightly to sinister, mouth open, wearing a tunic with a mantle over the left shoulder
14 ½ in. (37 cm.) high
Provenance
Noble Italian Family, and by descent to the present owner

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Maja Markovic
Maja Markovic

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Lot Essay


This spirited bust of a young boy is seemingly unique and previously unpublished. It bears parallels with Donatello’s spiritello and portraits of the young Christ child, dating from when he was working in Florence from around 1415, and was himself influenced by Lorenzo Ghiberti. The almond-shaped eyes and thick curls of hair of the present bust are comparable to the putti atop the Annunciazione Cavalcanti at Santa Croce and figures of the Madonna and Child in the Detroit Institute of Art (see L. Bellosi, ‘Donatello e il recupero della scultura in terracotta’, in Donatello-Studien, Munich, 1989, pp. 135-139). Donatello’s statue of Saint George (Bargello Museum, Florence, 1415-17) appeares to have been a major influence. However, the open mouth and raised brow suggest the inspiration of Donatello and Luca della Robbia’s singing Cantoria figures from the 1430s. The form and subject of the bust bears similarities to the work of Donatello's follower Desiderio da Settignano (1430-1464).

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