Lucian Freud (b. 1922)
Artist's Resale Right ("Droit de Suite"). Artist's… 显示更多
Lucian Freud (b. 1922)

Stephen Spender

细节
Lucian Freud (b. 1922)
Stephen Spender
signed with the artist's initials and dated 'L. F. 1940' (lower left)
charcoal on tracing paper
21 7/8 x 17 3/8in. (55.5 x 44.2cm.)
Executed in 1940
来源
Anthony d'Offay Gallery, London.
展览
London, Hayward Gallery, The Human Clay: An Exhibition Selected by R.B. Kitaj, August 1976, no. 33. This exhibition later travelled to Charleroi, Palais des Beaux-Arts, December 1977-January 1978.
Edinburgh, Scottish National Gallery of Modern Art, Lucian Freud: Early Works, January-April 1997, no. 5 (illustrated in colour, unpaged).
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 5% is payable on hammer price and at 15% on the buyer's premium

拍品专文

Stephen Spender- the famous poet and critic (1909-95)- joined Freud and his school friend David Kentish at Capel Curig in early 1940. At the time he was associate editor of the literary and artistic review Horizon. It was during the time that the present work was drawn that Spender and Freud also collaborated on compiling an album of private jokes, the odd poem by Spender and numerous drawings by Freud. They called it "The Freud-Schuster Book", parodying a fictitious firm of Jewish solicitors. Freud made about twenty likenesses of Spender at Capel Curig. The present work, showing Spender looking down, rapt with apparent attention and concentration, gives the sense that we are being treated to a private glimpse of the great man at work. The presence of this revealing early portrait in the R.B. Kitaj Collection is all the more appropriate in that it is both a portrait by an artist whom he knew well, and is a portrait of a poet whom he knew. Kitaj himself counted numerous poets amongst his circle of close friends, many of whom, including Spender, wrote on his work.