拍品专文
"In a way, the marks on a Resnick painting are replacements for marks that are not there: for the "ghost" that he speaks of having to paint out, or the color that he later speaks of having to "kill." There is a whiff of atavistic or Old Testament magic about this replacement or "killing" of one set of marks by another, as though the painting we see were a stand-in for another one that (like the name of Yahweh) cannot be "Spoken," or had been sacrificed through an act of faith...His impossible, Edenic ideal was that all visible phenomena must become nameless in order to truly be seen."(ex. cat., Milton Resnick: a Question of Seeing Paintings 1959-1963, Cheim & Read, New York, 2008, n.p.)