PROPERTY FROM THE COLLECTION OF JOHN G. MORRIS These prints are from my personal collection. My career as a picture editor began with Life magazine, where I worked throughout World War II. I was a Life Hollywood correspondent at 24, and at 27 Life's London Picture Editor. I salvaged Robert Capa's famous pictures of the D-Day landing on Omaha Beach from a darkroom accident. It was Capa who introduced me to Henri Cartier-Bresson, shortly after the Liberation of Paris. Capa also persuaded me to join Magnum as Executive Editor in 1953. There I worked closely with Cartier-Bresson and 'youngsters' such as Marc Riboud, finding in their contact sheets such treasures as Henri's photo of a deck hand's moment of relief and Marc's maestro of the Eiffel Tower. When W. Eugene Smith quit Life in a dispute over a story on Albert Schweitzer, I brought him into Magnum. We had worked together since 1939. I became the executor of his estate, and a principal founder of the W. Eugene Smith Memorial Fund. I was delighted when the Fund gave its 1982 grant to Sebastião Salgado, one of the greatest photographers of our times. Regarding these prints, the pictures speak for themselves. The words my friends added to them mean even more to me. John G. (for Godfrey) Morris, Paris, March 2010

HENRI CARTIER-BRESSON (1908-2004)

The Last Drop, Kiel, Germany, September 1972

细节

HENRI CARTIER-BRESSON (1908-2004)
The Last Drop, Kiel, Germany, September 1972
gelatin silver print
annotated 'no cropping' in ink (in the margin); dated, inscribed 'to John, the last drop from my kamera - untill [sic] next.. with l'amitié d'Henri', annotated 'news picture at the Olympic regatas [sic] in Kiel' in ink and credit reproduction limitation stamp (on the verso)
9 7/8 x 6 5/8in. (25.5 x 17.5cm.)

来源

Acquired directly from the artist

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