拍品专文
Widely regarded as one of the most popular American illustrators, Maxfield Parrish received his first magazine commission in 1895 for Harper's Bazaar's Easter cover. This was the start of a blazing career working for publications such as Life, Ladies' Home Journal, Harper's Weekly and Scribner's. "From every newsstand his work would be instantly recognized, sometimes gracing different publications alongside each other." (A. Gilbert, Maxfield Parrish: The Masterworks, Berkeley, California, 1992, p. 63)
In 1904 Parrish signed an exclusive contract with Collier's stating that his future work would be published solely in the publication until 1910. Parrish received $1,250 a month and retained all the original paintings. Collier's pages were larger than most periodicals of the time giving Parrish more creative freedom. Additionally, the ability to work within a consistent style and format for six years allowed the artist greater opportunity for exploration and experimentation.
In 1904 Parrish signed an exclusive contract with Collier's stating that his future work would be published solely in the publication until 1910. Parrish received $1,250 a month and retained all the original paintings. Collier's pages were larger than most periodicals of the time giving Parrish more creative freedom. Additionally, the ability to work within a consistent style and format for six years allowed the artist greater opportunity for exploration and experimentation.