Jean Pougny (1892-1956)
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Jean Pougny (1892-1956)

Composition

细节
Jean Pougny (1892-1956)
Composition
stamped with the signature 'Pougny' (lower right); with a later inscription 'esquisse pour le composition 1916 cap. Petrograd et Der Sturm' (lower left)
brush and ink and pencil on beige paper
10 x 8¼ in. (25.3 x 21 cm.)
Executed in St Petersburg in 1917
来源
Mme X. Pougny, Paris.
Galerie Suzanne Bollag, Zurich (no. K2925).
Anonymous sale, Sotheby's, London, 18 November 1999, lot 294.
出版
Exhib. cat., Galerie Dieter Brusberg, Hanover, Brusberg Berichte, no. 5, 1969 (illustrated fig. H14).
H. Berninger & J.A. Cartier, Pougny: Jean Pougny (Iwan Puni), 1892-1956, Catalogue de l'oeuvre, vol. I, Les Années d'avant-garde, Russie-Berlin, 1910-1923, Tubingen, 1972, no. 145bis (illustrated p. 207).
展览
(possibly) Geneva, Galerie Krugier & Cie., Jean Pougny, Summer 1964.
Galerie Dieter Brusberg, Hanover, 1969.
New York, Adler/Castillo & the Rosa Esman Gallery, The Russian Revolution in Art-2, May 1980, no. 16.
注意事项
No VAT will be charged on the hammer price, but VAT at 17.5% will be added to the buyer's premium, which is invoiced on a VAT inclusive basis.
拍场告示
Please note that the estimate of this work is 4,000-6,000 and not as stated in the printed catalogue.

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拍品专文

The abstract drawings that Jean Pougny (Iwan Puni) executed in Petrograd between 1915 and 1919 are exceedingly rare. This drawing is one of a small remaining number of these Suprematist and Constructivist works after many were lost when the artist fled from the Soviet Union in 1920 and others were destroyed by humidity in storage in Paris in the 1920s. Only a few were saved when the artist's wife, the original owner of this work, brought them with her as she fled Russia over the Bay of Finland during the winter of 1919/1920.

Most of the Petrograd drawings bear later signatures, dates and inscriptions by the artist and his wife. These were generally added when the drawings were included in exhibitions and also as a memory aid for Pougny: as they were often preparatory drawings for sculptures, they served as souvenirs of sculptures he had been forced to leave behind in the Soviet Union.