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Nostalgic Deptiction of the Innocence of Childhood
细节
Mike Kelley (b. 1954)
Nostalgic Deptiction of the Innocence of Childhood
signed, numbered and dated '7/10 M. Kelley 1990' (on the reverse)
sepia toned photograph
9½ x 6½in. (24.2 x 15.9cm.)
Executed in 1990, this work is number seven from an edition of ten
Nostalgic Deptiction of the Innocence of Childhood
signed, numbered and dated '7/10 M. Kelley 1990' (on the reverse)
sepia toned photograph
9½ x 6½in. (24.2 x 15.9cm.)
Executed in 1990, this work is number seven from an edition of ten
来源
Metro Pictures, New York.
Skarstedt Gallery, New York.
Marc Jancou, New York.
Acquired from the above by the present owner.
Skarstedt Gallery, New York.
Marc Jancou, New York.
Acquired from the above by the present owner.
出版
D. Rimanelli, 'Mike Kelley', in Artforum, September 1990 (another from the edition illustrated).
ike Kelley, exh. cat., Basel, Kunsthalle Basel, 1992 (another from the edition illustrated, p. 6).
B. Adams, 'Mike Kelley ou l'esthetique de l'echec', in Art Press, June 1992 (another from the edition illustrated, p. 36).
Mike Kelley- Catholic Tastes, exh. cat., New York, Whitney Museum of American Art, 1993 (another from the edition illustrated, p. 181).
Venice, 45th Venice Biennale, Infamie, 1995 (another from the edition illustrated, p. 21).
Femininmasculin: le sexe de l'art, exh. cat., Paris, Centre Georges Pompidou, 1995 (another from the edition illustrated, p. 29).
H. Foster, The Return of the Real, The Avant-Garde at the End of the Century, Cambridge 1996 (another from the edition illustrated, p. 163).
R. Goldberg and L. Anderson, Performance--Live Art Since the 60s, London 1998 (another from the edition illustrated, p. 205).
J. Welchman, I. Graw and A. Vidler, Mike Kelley, London 1999 (another from the edition illustrated in colour, p. 27).
Présumés Innocents, l'art contemporain et l'enfance, exh. cat., Bordeaux, CAPC Musée d'Art Contemporain, 2008 (another from the edition illustrated, p. 49).
E. Lucie Smith, Art Tomorrow, Paris 2002 (another from the edition illustrated, p. 56).
R. Storr, 'Mike Kelley, What's Not to Like?', in Art Forum, 2004 (another from the edition illustrated in colour, p. 264).
ike Kelley, exh. cat., Basel, Kunsthalle Basel, 1992 (another from the edition illustrated, p. 6).
B. Adams, 'Mike Kelley ou l'esthetique de l'echec', in Art Press, June 1992 (another from the edition illustrated, p. 36).
Mike Kelley- Catholic Tastes, exh. cat., New York, Whitney Museum of American Art, 1993 (another from the edition illustrated, p. 181).
Venice, 45th Venice Biennale, Infamie, 1995 (another from the edition illustrated, p. 21).
Femininmasculin: le sexe de l'art, exh. cat., Paris, Centre Georges Pompidou, 1995 (another from the edition illustrated, p. 29).
H. Foster, The Return of the Real, The Avant-Garde at the End of the Century, Cambridge 1996 (another from the edition illustrated, p. 163).
R. Goldberg and L. Anderson, Performance--Live Art Since the 60s, London 1998 (another from the edition illustrated, p. 205).
J. Welchman, I. Graw and A. Vidler, Mike Kelley, London 1999 (another from the edition illustrated in colour, p. 27).
Présumés Innocents, l'art contemporain et l'enfance, exh. cat., Bordeaux, CAPC Musée d'Art Contemporain, 2008 (another from the edition illustrated, p. 49).
E. Lucie Smith, Art Tomorrow, Paris 2002 (another from the edition illustrated, p. 56).
R. Storr, 'Mike Kelley, What's Not to Like?', in Art Forum, 2004 (another from the edition illustrated in colour, p. 264).
展览
New York, Metro Pictures, Mike Kelley, April-May 1990.
Cologne, Museum Ludwig, Ars pro domo, May-August 1992 (illustrated, p. 194).
Zurich, Museum der Stadtentwässerung, Cloaca Maxima, June- October 1994 (illustrated).
Cologne, Museum Ludwig, Ars pro domo, May-August 1992 (illustrated, p. 194).
Zurich, Museum der Stadtentwässerung, Cloaca Maxima, June- October 1994 (illustrated).
注意事项
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荣誉呈献
Dina Amin
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