Property from the Collection of Professor and Mrs. George Heard Hamilton Property from the Collection of Professor and Mrs. George Heard Hamilton While Professor George Heard Hamilton's first book, published in 1933, investigated the weighty field of medieval manuscripts, he devoted much of his scholarly writings to the art of the nineteenth and early twentieth centuries. Especially his texts on Manet (Manet and his Critics, New Haven, 1954) and Russian art and architecture (The Art and Architecture of Russia, London, 1954) have been admired for their contribution to the body of historical knowledge and have been the cornerstone of scholarship in those fields of study for a generation of art historians and curators. George Hamilton spent the first half of his career at Yale. He taught there from 1936 to 1966 and was appointed Professor of Art History in 1942. Hamilton joined the faculty at Williams College in 1966 where he implemented a graduate school program that trained many of the leading curators and art historians in the United States in the late Twentieth Century. Hamilton also directed the Sterling and Francine Clark Institute in Williamstown--which doubled in size under his leadership--and was a trustee of the Museum of Modern Art and chairman of its Painting and Sculpture Committee. In the 1970s he was Slade Professor at Cambridge and Kress Professor at the National Gallery of Art, Washington D.C. Perhaps less known to the world of art historians, curators, students and museum directors was Professor and Mrs. Hamilton's dedication to Modernism and the art of their time. Together, they were fully assimilated into the world of contemporary art, and they forged intimate, lasting friendships with many of the artists whose works shaped the future of Post-War and Contemporary art. Among the Hamilton's circle were Marcel Duchamp and various members of the Matisse family, as well as Naum Gabo and Josef Albers. Together with Walter Bareiss, Hamilton founded The Readymade Press in the 1950s, which published numerous works on Duchamp, Albers and others, and operated in the printing offices of Yale University Press in a basement on York Street in New Haven. Christie's is honored to be entrusted with the sale of The Collection of Professor and Mrs. George Heard Hamilton. Beyond being a brilliant leader in the museum world, he was a generous scholar and teacher, with an unerring eye and a sharp, critical intellect.

Josef Albers (1888-1976)

Homage to the Square: Ardend

细节

Josef Albers (1888-1976)
Homage to the Square: Ardend
signed with artist's monogram and dated 'A52' (lower right); signed, titled and dated 'Homage to the Square: "Ardend" Albers '52' (on the reverse)
oil on masonite
32 x 32 in. (81.2 x 81.2 cm.)
Painted in 1952.

来源

Sidney Janis Gallery, New York
Acquired from the above by the present owner

拍品专文

This work will be included in the forthcoming catalogue raisonné being prepared by the Anni and Josef Albers Foundation.