拍品专文
Although Playboy Inc. refers to these wonderful layout boards as 'dye-transfers', the photographic medium is actually a chromogenic print.
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Ursula Andress, 'James Bond's Girls', November 1965; and 'The Spy They Love', July 1983
细节
JOHN DEREK
Ursula Andress, 'James Bond's Girls', November 1965; and 'The Spy They Love', July 1983
'dye-transfer' board and chromogenic print
the first annotated 'this pic to be flopped' with diagram in red wax pencil (on the mylar overlay); Playboy Archive label affixed (on the paper cover)
24 x 20in. (61 x 50.8cm.) (board overall); 14 x 9¼in. (35.5 x 23.5cm.) (print); and 13 x 9½in. (33 x49.5cm.) (chromogenic print) (2)
Ursula Andress, 'James Bond's Girls', November 1965; and 'The Spy They Love', July 1983
'dye-transfer' board and chromogenic print
the first annotated 'this pic to be flopped' with diagram in red wax pencil (on the mylar overlay); Playboy Archive label affixed (on the paper cover)
24 x 20in. (61 x 50.8cm.) (board overall); 14 x 9¼in. (35.5 x 23.5cm.) (print); and 13 x 9½in. (33 x49.5cm.) (chromogenic print) (2)