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THE PROPERTY OF A PRIVATE COLLECTOR
Simon Jacobsz. de Vlieger (Rotterdam c. 1600-1653 Weesp)
Coastal scene with ships resting on calm waters
细节
Simon Jacobsz. de Vlieger (Rotterdam c. 1600-1653 Weesp)
Coastal scene with ships resting on calm waters
signed 'S DE VLIEGER' (lower left)
oil on panel
11¾ x 15 3/8 in. (29.8 x 39.1 cm.)
Coastal scene with ships resting on calm waters
signed 'S DE VLIEGER' (lower left)
oil on panel
11¾ x 15 3/8 in. (29.8 x 39.1 cm.)
来源
Anonymous sale; Bukowski, Stockholm, 24-27 April 1990, lot 397.
with Noortman, Maastricht.
with Otto Naumann, New York, 1993 (see O. Naumann, Inaugural Exhibition of Old Master Paintings, New York, 1995, under '1993', n.p.), from whom purchased by
Constance Coleman Richardson (1905-2002) and her husband, Edgar Richardson (Director of the Detroit Museum), Philadelphia; + Sotheby's, New York, 5 June 2002, lot 58 ($185,000).
with Noortman, Maastricht.
with Otto Naumann, New York, 1993 (see O. Naumann, Inaugural Exhibition of Old Master Paintings, New York, 1995, under '1993', n.p.), from whom purchased by
Constance Coleman Richardson (1905-2002) and her husband, Edgar Richardson (Director of the Detroit Museum), Philadelphia; + Sotheby's, New York, 5 June 2002, lot 58 ($185,000).
拍场告示
Please note this lot is now offered not subject to reserve.
We are grateful to Dr. Jan Kelch for confirming the attribution of this painting to Simon de Vlieger. It will be included in his forthcoming catalogue raisonné on the artist. This work, or a variant, is also included in L.J. Bol, Die hollndische Marinemalerei des 17. Jahrhunderts, Braunschweig, 1973, p. 117 as by Hans Goderis and signed 'H.G.' Differences between the two compositions can be found in the shoreline in the left foreground and sails of the two boats on the right.
We are grateful to Dr. Jan Kelch for confirming the attribution of this painting to Simon de Vlieger. It will be included in his forthcoming catalogue raisonné on the artist. This work, or a variant, is also included in L.J. Bol, Die hollndische Marinemalerei des 17. Jahrhunderts, Braunschweig, 1973, p. 117 as by Hans Goderis and signed 'H.G.' Differences between the two compositions can be found in the shoreline in the left foreground and sails of the two boats on the right.