A GERMAN OAK, FRUITWOOD INLAID AND CHEQUER-BANDED 'NONSUCH' CHEST
A GERMAN OAK, FRUITWOOD INLAID AND CHEQUER-BANDED 'NONSUCH' CHEST

LATE 16TH CENTURY

细节
A GERMAN OAK, FRUITWOOD INLAID AND CHEQUER-BANDED 'NONSUCH' CHEST
LATE 16TH CENTURY
The rectangular hinged top enclosing a candlebox above a panelled front with two architectural vignettes, bearing an inventory label 'Cowdray/5/1919' and a label for 'Gill & Reigate Ltd./Antique Dealers/Upholsterers and Decorators/Oxford Street/London'
24 in. (61 cm.) high; 42½ in. (108 cm.) wide; 22½ inn. (57 cm.) deep
来源
Acquired from Gill & Reigate, Ltd., London.

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拍品专文

Such richly inlaid chests, with tablets of Roman architecture in the Vitruvian manner, were associated with the romanticism of the 'Elizabethan' era, particularly after the publication by the antiquarian Sir Samuel Rush Meyrick of similar tablets on the Shakespeare - famed 'Great Bed of Ware' in Henry Shaw's, Specimens of Ancient Furniture, London, 1836 (pl.37). Patterns for such 16th century perspectival 'Scenographiae' or 'Architecturae', appropriate for inlayers, were issued in the mid-16th century by Hans Vredeman de Vries (d.1604). These chests are also associated with Henry VIII's fabulous 'Palace of Nonsuch' chest. One reputed to have belonged to Sir Francis Drake is displayed at Berkeley Castle, Gloucestershire; while that of Richard Sunderland (d.1634) is discussed in C. Gilbert, Furniture at Temple Newsam House and Lotherton Hall, Leeds, 1978 (no. 144).