Florian Maier-Aichen (b. 1973)
Artist's Resale Right ("Droit de Suite"). Artist's… 显示更多
Florian Maier-Aichen (b. 1973)

Untitled

细节
Florian Maier-Aichen (b. 1973)
Untitled
signed, titled, numbered and dated 'Untitled, 2005 Florian Maier-Aichen 1/6' (on the reverse)
chromogenic print
72 x 90½in. (183 x 229.8cm.)
Executed in 2005, this work is number one from an edition of six
来源
Blum & Poe, New York.
Acquired from the above by the present owner.
展览
London, Royal Academy of Arts, USA TODAY: New American Art from the Saatchi Gallery, 2006-07 (illustrated in colour, pp. 222-223). This exhibition later travelled to St. Petersburg, The State Hermitage Museum.
Madrid, Museo Thyssen-Bornemisza, Photo España 08: Florian Maier-Aichen, 2008 (another from the edition exhibited, illustrated in colour, p. 35).
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 20% is payable on hammer price and buyer's premium

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拍品专文

Florian Maier-Aichen's practice of image making is a subversive reevaluation of photography. Using a combination of traditional photographic techniques and computer graphics, Maier-Aichen slightly alters each of his image to heighten the tensions between globalisation and virtual perception. As seen in the monumental scale of Untitled, the artist presents the viewer with a haunting yet poetic scene amidst an engulfing coastline, one that is lined with luxury homes expanding into the misty distance. Shot from an aerial view, the estranged vantage point is both alien and familiar; a sensation enhanced by the artist's compelling manipulation of colours and scale. By tinting the surrounding forest in an unnatural shade of red, Maier-Aichen casts an apocalyptic glow over the seascape, framing wilderness and human intervention as a scene of science fiction portent. In short, it is through his lens that Maier-Aichen recontextualises the romantic sublime to reflect modern day experiences.