Bruce Nauman (b. 1941)
On occasion, Christie's has a direct financial int… 显示更多
Bruce Nauman (b. 1941)

Good Boy Bad Boy

细节
Bruce Nauman (b. 1941)
Good Boy Bad Boy
video tape installation--Part I: Male, Tucker Smallwood, 60 Minutes, Part II: Female, Joan Lancaster, 52 Minutes--two video tapes
dimensions variable
Executed in 1985. This work is number twenty-two from an edition of forty and accompanied by a certificate of authenticity signed and dated by the artist.
来源
Acquired directly from the artist by the present owner
出版
C. Dercon, "Keep Taking It Apart: A Conversation with Bruce Nauman," Parkett 10, 1986, pp. 60 and 61 (another example illustrated).
C. van Bruggen, Bruce Nauman, New York, 1988, p. 282 (illustrated).
C. Cordes, ed., Bruce Nauman Prints 1970-89, New York, 1989, p. 129 (illustrated).
J. Simon, ed., Bruce Nauman: Exhibition Catalogue and Catalogue Raisonné, exh. cat., Minneapolis, Walker Art Center, 1994, p. 295, no. 337 (another example illustrated in color).
展览
Krefeld, Museum Haus Esters, Video, Sound and Neon, September-December 1985.
Chicago, Donald Young Gallery, Bruce Nauman: Prints 1970-1989, September-October 1989, p. 129 (another example exhibited and illustrated).
Basel, Museum für Gegenwartskunst; Frankfurt am Main, Städtische Galerie, Städelsches Kunstinstitut and Lausanne, Musée Contonal des Beaux-Arts, Bruce Nauman: Skulpturen und installationen 1985-1990, September 1990-January 1992, p. 25, no. 1 (another example exhibited and illustrated).
Toronto, Ydessa Hendeles Art Foundation, Bruce Nauman, May 1992-March 1993 (another example exhibited).
Vienna, Museum des 20.Jahrunderts, Wiener Diwan: Sigmund Freud Heute, May-July 1989 (another example exhibited).
Milwaukee Art Museum, The Pleasure Machine: Recent American Video, June-August 1991 (another example exhibited).
New York, Galerie Lelong, Bourgeois, Jaar, Kounellis, Solano, Tapies, Nauman, April-May 1992 (another example exhibited).
Amsterdam, Stedelijk Museum, Aanwinsten/Acquisitions: 1985-1993, December 1992-February 1993, p. 289 (another example exhibited and illustrated).
Madrid, Museo Nacional de Arte Reina Sofia; Minneapolis, Walker Art Center; Los Angeles, Museum of Contemporary Art; Washington, D.C., Hirshhorn Museum and Sculpture Garden, and New York, Museum of Modern Art, Bruce Nauman, November 1993-May 1995, pp. 162 and 178, no. 55 (another example exhibited and illustrated in color).
London, Tate Modern, Bruce Nauman: Raw Materials, October 2004-March 2005, pp. 56-57, 110-130 and 139, nos. 16 and 17 (another example exhibited and illustrated in color).
Tate Liverpool and Naples, Museo d'Arte contemporanea Donnaregina, Bruce Nauman: Make Me Think Me, May 2006-October 2007, pp. 15 and 93 (another example exhibited and illustrated in color).
Berlin, Nationalgalerie im Hamburger Banhof, Museum für Gegenwart, Friedrich Christian Flick Collection, Bruce Nauman: Dream Passage, May-October 2010, pp. 58-59 and 205, no. 2 (another example exhibited and illustrated in color).
注意事项
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.
拍场告示
Please note that Christie's has a financial interest in this lot.

拍品专文

"It was very interesting for me when we made the tapes. I used professional actors. The man had done mostly live, stage acting, so he was much more generous and more open in his acting. She had done a lot of television acting, mostly daytime, like commercials and some soap-opera acting. So a lot of her acting is from her face. She didn't use her hands much and I liked that difference. What interests me is the line between others. Because they are actors, it's not autobiographical, it's not real anger, but pretending and they are pretty good at it, but maybe not really convincing. I like all these different levels, knowing and not knowing quite how to take the situation, how to relate to it."
-Bruce Nauman, 1986


I was a good boy. You were a good boy. We were good boys. That was good. I was a good girl. You were a good girl. We were good girls. That was good. I was a bad boy. You were a bad boy. We were bad boys. That was bad. I was a bad girl. You were a bad girl. We were bad girls. That was bad. I am a virtuous man. You are a virtuous man. We are virtuous men. This is virtue. I am a virtuous woman. You are a virtuous woman. We are virtuous women. This is virtue. I am an evil man. You are an evil man. We are evil men. This is evil. I am an evil woman. You are an evil woman. We are evil women. This is evil. I'm alive. You're alive. We're alive. This is our life. I live the good life. You live the good life. We live the good life. This is the good life. I have work. You have work. We have work. This is work. I play. You play. We play. This is play. I'm having fun. You're having fun. We're having fun. This is fun. I'm bored. You're bored. We're bored. Life is boring. I'm boring. You're boring. We're boring. This is boring. I have sex. You have sex. We have sex. This is sex. I love. You love. We love. This is our love. I hate. You hate. We hate. This is hating. I like to eat. You like to eat. We like to eat. This is eating. I like to drink. You like to drink. We like to drink. This is drinking. I like to shit. You like to shit. We like to shit. This is shitting. I piss. You piss. We piss. This is piss. I like to sleep. You like to sleep. We like to sleep. Sleep well. I pay. You pay. We pay. This is payment. I don't want to die. You don't want to die. We don't want to die. This is fear of death.