A BRONZE AQUAMANILE IN THE FORM OF A LION
A BRONZE AQUAMANILE IN THE FORM OF A LION

NORTH GERMAN, MID 13TH CENTURY

细节
A BRONZE AQUAMANILE IN THE FORM OF A LION
NORTH GERMAN, MID 13TH CENTURY
Extensively engraved, the handle in the form of a grotesque beast; losses and very minor damages
9¾ in. (24.7 cm.) high, 11¼ in. (28.6 cm.) long
来源
Duke Viktor von Ratibor (1879-1945).
Received from the above circa 1945 by an unnamed individual and by descent until sold, Sotheby's New York, 26 May 1992, lot 15 ($120,000 hammer).
出版
COMPARATIVE LITERATURE:
O. von Falke and E. Meyer, Romanische Leuchter und Gefässe, Giessgefässe der Gotik, Berlin, 1935, reprinted 1983, nos. 402, 408, 411, 445, figs. 379, 384, 387, 420, pp. 111, 113.
Hildesheim, Dom-Museums, Bild & Bestie - Hildesheimer Bronzen der Stauferzeit, 31 May - 5 Oct. 2008, M. Brandt ed.
拍场告示
When sold at auction in 1992,it was stated that the present lot had previously belonged to Duke Viktor von Ratibor (1879-1945). This was based on information given by the family of the vendor at the time of that sale and has not been confirmed with documentary evidence.

荣誉呈献

Charles Wesley-Hourde
Charles Wesley-Hourde

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拍品专文

The aquamanile was an important status symbol in mediaeval Europe and was used in both secular and religious contexts. A ceremonial vessel, it was used to pour water over the hands of guests or celebrants into an accompanying basin. The term itself comes from the latin words aqua and manus signifying 'water' and 'hand'. It is thought that most aquamaniles were probably made of pottery, but few of these have survived due to the fragility of the material.

Bronze aquamaniles take a variety of forms including human heads, dragons, birds and horses. However by far the most popular was the lion, symbol of strength and royal authority. Most of the German lion aquamaniles take as their prototype the celebrated Brunswick Lion, originally erected in front of Dankwarderode Castle and the cathedral of Brunswick by Henry the Lion, Duke of Saxony and Bavaria, in around 1166 AD. This monumental bronze, standing almost three metres in length, has a luxuriant mane, deep chest and stylised overall form which heavily influenced examples such as the present lot.

In their exhaustive book on the subject of romanesque vessels and candlesticks, Falke and Meyer (op. cit.) illustrate a number of lion aquamaniles that are closely related to the lot offered here. In particular, the example listed as being in a church in Berghausen (no. 408, fig. 384) shows the same relatively short thick neck, stylised ruff around the head and engraved mane as the present lot. It is described simply as 'North German, 13th century'. The present lot differs in that it is more extensively engraved, the hind legs are less extended to the rear, and the tail curls back up onto the handle, however these characteristics can be found on other aquamaniles of a similar date. The present lot is unusual for having retained a rich brown patina and is notable for the harmony of the proportions.