Contemplation Under Willow Tree

Zhang Daqian's female portraits were a breath of fresh air for his contemporary audience in the 1950's. Zhang Daqian melded together Tang to Qing dynasty portrait styles with his experience in Dunhuang to recreate ladies exuding elegance and grae. Xie Zhiliu commented, "Daqian has always been an excellent painter, but the major turning point lies at his trip to Dunhuang, where he saw in his own eyes the thousands of murals that were never documented. Of all these Zhang considers Tang dynasty art most exuberant and highest in aesthetics. His later style owes much inspiration to Dunhuang, adding much brightness and colour to the portraits."
In Contemplation Under Willow Tree, Zhang evidently sought inspiration from the Dunhuang murals. With a clearly defined face and an elaborate headdress, the figure exudes an air of elegance and tranquillity. Her robe is outlined smoothly and the fabric folds are rendered by vigorous and rhythmic brushstrokes. He paints her hands delicately while the lady's gaze is expressive and emotive.