Big Print #5 (Fazenda Lily - Gray Background - Cotton Fall 1947 Design Dorothy Draper, Courtesy Schumacher & Co.)

细节

Annette Kelm (b. 1975)
Big Print #5 (Fazenda Lily - Gray Background - Cotton Fall 1947 Design Dorothy Draper, Courtesy Schumacher & Co.)
signed, titled, numbered and dated 'Big Print #5 (Fazenda Lily - Gray Background - Cotton Fall 1947 Design Dorothy Draper, Courtesy Schumacher & Co.) 2007 4/5 Annette Kelm' (on the reverse)
c-print
43 3/8 x 39in. (110.4 x 99cm.)
Executed in 2007, this work is number four from an edition of five plus two artist's proofs

来源

Donated by the artist.

出版

S. Kleefeld, "Auf die Minute - Annette Kelm in Johann König", in Texte zur Kunst, Berlin 2007.
Annette Kelm, exh. cat., Rotterdam, Witte de With, Centre for Contemporary Art, 2008.
J. Asthoff, "Annette Kelm", in Camera Austria International, No. 102, Vienna 2008, pp. 15-24.
M. T. Andrésson, "Reality and its Indeterminate Counterpart - The Work of Annette Kelm", in Mousse Contemporary Art Magazine, no. 16, December/January, Milan 2009, pp. 100-102.
U. Steiner, "Aneignung von Welt", in Neue Zürcher Zeitung, Janurary, Zurich 2009, p. 53.
G. Mack, "Bilderrätsel mit Papagei und Fächer", in art - Das Kunstmagazin, no. 2, February, Berlin 2009.
D. von Burg, "Annette Kelm", in Kunstbulletin, March, Zurich 2009. K. Nedo, "Das Geheimnis der Geheimnislosigkeit", in Spex, no. 321, July/August, Berlin 2009, pp. 106-109.

展览

Lyon, La Biennale de Lyon, The History of A Decade That Has Not Yet Been Named, 2007.
Graz, Camera Austria, Annette Kelm, 2009.

注意事项

Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.

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拍品专文

"Many artists who are important for me personally had their first exhibition at the Kunsthalle Zurich. The collaboration with Beatrix Ruf was most enjoyable, especially since she always gave the artists great trust and confidence. This made the Kunsthalle into an internationally acclaimed place for contemporary art. Kunsthalle Today! Kunsthalle Tomorrow!"
Annette Kelm