The Promenade (B. 94; M., Holl. 83; S.M.S. 19)

细节

Albrecht Dürer
The Promenade
(B. 94; M., Holl. 83; S.M.S. 19)
engraving, circa 1498, watermark Gothic P (M. 322), a fine, rich Meder I a-b impression, with traces of burr and a light plate tone, trimmed to or on the platemark, generally in good condition
P., S. 7¾ x 4¾ in. (196 x 121 mm.)

来源

Pierre Mariette (1634-1716), Paris (L. 1789), dated 1669.
Norbert Handwerk (born 1909), Munich and Switzerland, with his paraphe in pencil verso; Christie's, New York, Engravings, Etchings and
Drypoints by Albrecht Dürer from a Private Swiss Collection, 19
November 1986, lot 517 (US$13,200).

注意事项

On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.

荣誉呈献

Richard Lloyd

rlloyd@christies.com Tel: + 1 212 636 2290

拍品专文

Dürer's prints are replete with symbols. The vigorous, quick-growing plant at the left represents lust and desire, as does the sword, which Dürer places rather unambiguously between the young man's legs. The gallant is walking with his beloved - a married woman - in the countryside. Both are oblivious to Death, who lurks behind a tree in the background, holding an hourglass above his head. This is a modern, moralized version of the early 15th century theme of the Garden of Love, a memento mori and a warning against adultery. However, the moralizing tone is tinged with sadness that their love and beauty will not last.