Christ on the Mount of Olives (B. 54; M., Holl. 162; S.M.S. 223)

细节

Albrecht Dürer
Christ on the Mount of Olives
(B. 54; M., Holl. 162; S.M.S. 223)
woodcut, circa 1508-09, watermark Large City Gate (M. 260), a very good, clear impression of this rare woodcut, with small margins, in very good condition
B. 5 1/16 x 3 13/16 in. (128 x 97 mm.)
S. 5 1/8 x 4 in. (131 x 101 mm.)

来源

Franz von Hagens (1817-1899), Dresden (L. 1052a); his posthumous sale, C. G. Boerner, Leipzig, 2-3 May 1927, lot 193 (Mk 100).
Albert W. Blum (1882-1952), Germany, Switzerland and Short Hills, New Jersey (L. 79 b and 3198); Sotheby's, New York, 27 February 1988, lot 1095 (US$4,070).

注意事项

On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.

荣誉呈献

Richard Lloyd

rlloyd@christies.com Tel: + 1 212 636 2290

拍品专文

In the related scene from the Engraved Passion (lot 36) Dürer was to use dramatic lighting effects to convey the agitation of the scene. In the etching of 1515 (lot 52) he relied upon the dynamic quality of the lines themselves. Here he uses the surrounding vegetation and landscape forms to amplify the emotional content of the scene, as Christ is confronted with the chalice, and Judas and the soldiers enter the gate.

This print was originally conceived as part of the Small Woodcut Passion, but was then replaced by another print of the same subject (M. 135).

It is not known why Dürer rejected the present composition, but it was never included in the edition of the series and lifetime impressions from this block are extremely rare.