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拍品专文
'[Domoto] peint toujours à genoux, sa toile posée par terre, comme les artistes classiques de son pays. Mais avec l'huile, il s'est ouvert un monde nouveau de couleurs. Il les superpose, les plie aux transparences pour lesquelles elles ne furent pas inventées, les lie en des passages qui lui servent à suggérer un espace libéré des servitudes habituelles de la toile et du regard.'
'[Domoto] always paints on his knees, his canvas resting on the ground, like the classical artists from his country. But with oil, he has discovered a new world of colours. He superimposes them, obtaining transparencies for which they were not intended, and combines them in passages which he uses to suggest a space liberated from the usual constraints of canvas and viewpoint.'
F. Choay, France Observateur, 1957.
'[Domoto] always paints on his knees, his canvas resting on the ground, like the classical artists from his country. But with oil, he has discovered a new world of colours. He superimposes them, obtaining transparencies for which they were not intended, and combines them in passages which he uses to suggest a space liberated from the usual constraints of canvas and viewpoint.'
F. Choay, France Observateur, 1957.