Gaston Lachaise (1882-1935)
Property from the Estate of Bernard and Florence Roth
Gaston Lachaise (1882-1935)

'Woman Walking'

细节
Gaston Lachaise (1882-1935)
'Woman Walking'
inscribed 'G. LACHAISE © 1922-' (on the base)--inscribed 'LACHAISE/ESTATE' and '4/6' (along the base)
polished bronze
19 in. (48.3 cm.) high
Modeled in 1919.
来源
The Lachaise Foundation, Boston, Massachusetts.
[With]Robert Schoelkopf Gallery, New York.
Acquired by the present owner from the above, 1970.
出版
"Statue by Gaston Lachaise: On Exhibition at the Bourgeois Gallery," Brooklyn Daily Eagle, February 22, 1920, section 6, p. 7, the plaster model illustrated.
Modern Artists of America, Inc., Exhibition by Members, exhibition catalogue, New York, 1922, pp. 26, 44, no. 43 or no. 44, the plaster model illustrated.
C.W. Kraushaar Galleries, An Illustrated Catalogue of an Important Collection of Paintings, Marbles, and Bronzes, exhibition catalogue, New York, 1924, n.p., no. 35, another example referenced.
Los Angeles County Museum of Art, Gaston Lachaise, 1882-1935: Sculpture and Drawings, exhibition catalogue, New York, 1963, n.p., no. 31, another example illustrated.
D.B. Goodall, Gaston Lachaise, Sculptor, Ph.D. dissertation, Harvard University, Cambridge, Massachusetts, 1969, vol. 1, pp. 206-07, 251n.58, 384, 387-88, 401, 473-74, 549n.86, 599, 612; vol. 2, pp. 217-18, 431, 432, pl. CII, another example illustrated.
A. Lerner, ed., The Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, New York, 1974, pp. 248, 266, 267, 710, pl. 372, another example illustrated.
G. Nordland, Gaston Lachaise: The Man and His Work, New York, 1974, pp. 70, 73, 147, 156, fig. 16, another example illustrated.
Museum of Modern Art, Painting and Sculpture in the Museum of Modern Art, 1929-1967, New York, 1977, pp. 252, 577, another example illustrated.
J.M. Hunisak, "Transformations in the Figurative Tradition in Twentieth-Century Sculpture," Honolulu Academy of Arts Journal, vol. 3, 1978, pp. 65, 66, 83n.16, another example illustrated.
American Art in the Newark Museum: Paintings, Drawings and Sculpture, Newark, New Jersey, 1981, pp. 267, 412, another example illustrated.
G. Nordland, "Walking Woman by Gaston Lachaise," Currier Gallery of Art Bulletin, Fall 1987, cover, pp. 8, 14-18, 22n.9-11, other examples illustrated.
J. Day, J. Stenger, K. Eremin, N. Khandekar, V. Budny, Gaston Lachaise: Characteristics of His Bronze Sculpture, n.p., 2012, pp. 29, 56n.36, 63, 66n.i, 67.
Gerald Peters Gallery, Gaston Lachaise: A Modern Epic Vision, exhibition catalogue, New York, 2012, n.p., pl. 17, another example illustrated.

拍品专文

Gaston Lachaise's iconic Woman Walking--inspired by his voluptuous, dynamic wife, Isabel Dutaud Nagle (1872-1957)--celebrates the robust vitality of the modern American woman. The plaster model was exhibited in 1920 as Orator, and in 1922 as Woman. One of the first bronze casts was exhibited in 1924, when it was given the statuette's current name. The model for Woman Walking was created in 1919--not three years later, as is often stated. It was copyrighted by Lachaise in 1922 and later used by him to make two bronze replicas. One of these--the example exhibited in 1924--is now owned by the Museum of Modern Art, New York. The other, reworked and polished by the sculptor, was acquired by a friend, the modernist photographer Paul Strand (1890-1976), and now belongs to the Currier Museum of Art, Manchester, New Hampshire. That bronze, lacking the edge of the bodice seen in the MoMA example, served as the model for the subsequent bronze casts.

After Lachaise's death, his widow authorized a small number of bronze casts, including those at the Newark Museum, Newark, New Jersey; the Honolulu Museum of Art (formerly named the Honolulu Academy of Arts); and the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. The Lachaise Foundation, established in 1963 to oversee the artist's estate, authorized an edition of six Estate casts, counting a preexistent posthumous cast as the first in the series. It now owns the fifth and sixth examples, as well as two plaster casts, and has assigned the Foundation number LF 31 to Woman Walking.

We are grateful to Virginia Budny for her assistance in preparing the catalogue entry for this work.

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