Paul Klee (1879-1940)
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Paul Klee (1879-1940)

Die Sängerin der komischen Oper (Kornfeld 99)

细节
Paul Klee (1879-1940)
Die Sängerin der komischen Oper (Kornfeld 99)
lithograph with sprayed watercolour in red and blue, 1925, on laid paper, watermark Small Beehive, one of six impressions with hand-colouring by the artist (there were a further five impressions in black only), signed and dedicated in pencil für Herrn Reg. Rat Dr. H. Stinnes Weihnachten 25 Klee at the lower right sheet edge (the dedication faint and partially trimmed), inscribed in pencil by the dedicatee Paul Klee - Weihnachten 1925. Die Sängerin der komischen Oper Litho ------ 1925. W. 5/handkoloriert auf getontem Bütten. vom Künstler zu Weihnachten geschenkt: 2 Probdrucke; Auflage: 6 Drucke., this impression cited by Kornfeld, with margins, trimmed below and at lower right, the paper toned, a small skilfully repaired split in the lower right, a few short repaired tears at the sheet edges, several unobtrusive horizontal creases, framed
L. 412 x 283 mm., S. 594 x 454 mm.

来源
Heinrich Stinnes (L.1376a), his sale; Gutekunst & Klipstein, Bern, 20-22 June, 1938, lot 555.
With Curt Valentin (1902-1954), New York; acquired at the above sale.
Private Collection, New York, presumably purchased from the above.
注意事项
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

荣誉呈献

Charlie Scott
Charlie Scott

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拍品专文

We are grateful to Stefan Frey, Bern, for his kind assistance in cataloguing this lot.

One of the most repeated motifs in Klee's oeuvre occurs in the five different versions of The Singer of the Comic Opera. The present work, dating from 1925, is the only one executed as a print. It was produced at the behest of the merchant Otto Ralfs after he founded the Klee Society, a circle of the artist's friends who committed themselves to a yearly subscription for one or two prints by the artist, thus guaranteeing him additional income. It is believed that it was printed at the Bauhaus Press in Weimar. The extremely small edition, together with the hand-colouring and the personalized dedication of each print to its recipient, clearly indicate the artist's desire to produce prints of which every impression, to a certain degree, would be unique. The unusual method of colouring, using an atomizer, produces a mysterious atmosphere in which the linear image seems suspended.

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