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Ansel Adams demonstrates that there is no greater aesthetic power than the conversion of the familiar into the unbelievably new.
Edwin Land
ANSEL ADAMS (1902-1984)
Rail Fence, Jackson Hole, Wyoming, 1950s
细节
ANSEL ADAMS (1902-1984)
Rail Fence, Jackson Hole, Wyoming, 1950s
gelatin silver print
signed in ink (on the mount); titled 'Teton Range, Wyoming', annotation 'Sinar Camera 5in. Super-Angulon Long' in ink, Carmel credit stamp and stamped 'Enlarged from a Polaroid Land Type 55 P/N negative' (on the reverse of the mount)
image/sheet: 19 1/8 x 14 7/8in. (48.5 x 37.8cm.)
mount: 24½ x 20in. (62.3 x 50.7cm.)
Rail Fence, Jackson Hole, Wyoming, 1950s
gelatin silver print
signed in ink (on the mount); titled 'Teton Range, Wyoming', annotation 'Sinar Camera 5in. Super-Angulon Long' in ink, Carmel credit stamp and stamped 'Enlarged from a Polaroid Land Type 55 P/N negative' (on the reverse of the mount)
image/sheet: 19 1/8 x 14 7/8in. (48.5 x 37.8cm.)
mount: 24½ x 20in. (62.3 x 50.7cm.)
来源
From the artist;
to a Private Collection;
to the present owner, a former vice-president of Hasselblad USA
to a Private Collection;
to the present owner, a former vice-president of Hasselblad USA
出版
Adams and Newhall, The Tetons and Yellowstone, 5 Associates, 1970, p. 81