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‘Each line is now the actual experience with its own innate history. It does not illustrate – it is the sensation of its own realization. The imagery is one of the private or separate indulgences rather than an abstract totality of visual perception. This is very difficult to describe, but it is an involvement in essence no matter how private, into a synthesis of feeling, intellect etc. occurring without separation in the impulse of action’ (C. Twombly, quoted in ‘Documenti di una nuova figurazione: Toti Scialoja, Gastone Novelli, Pierre Alechinsky, Achille Perilli, Cy Twombly’, L’Esperienza moderna, no. 2, August-September 1957, p. 32).