拍品专文
‘[The deliberate use of brilliant white creates a current] between the work and the spectator and fill[s] the space between them. This space cannot be quantified because the spatial properties of the work are irrational - the work "as space" is irrational'
(O. Piene, quoted in 'Paths to Paradise' (1961), in O. Piene and H. Mack (eds.), zero, Cambridge 1973, p. 64).
(O. Piene, quoted in 'Paths to Paradise' (1961), in O. Piene and H. Mack (eds.), zero, Cambridge 1973, p. 64).