Roman Bordier & Cie., attributed to Henry Capt. A very fine, rare and attractive 18K gold and enamel openface two-train quarter repeating musical automaton watch
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Roman Bordier & Cie., attributed to Henry Capt. A very fine, rare and attractive 18K gold and enamel openface two-train quarter repeating musical automaton watch

SIGNED ROMAN BORDIER & CIE., NO. 20'935, CIRCA 1815

细节
Roman Bordier & Cie., attributed to Henry Capt. A very fine, rare and attractive 18K gold and enamel openface two-train quarter repeating musical automaton watch
Signed Roman Bordier & Cie., No. 20'935, circa 1815
Keywound two-train gilt-brass Lépine calibre movement with free standing going barrels, cylinder escapement, quarter repeating on two hammers, musical pin barrel with 6 vibrating steel blades, a steel cam fixed on top of the pin barrel driving the three automatons, music and automaton activated by depressing a button in the band, eccentric engine-turned gilt dial, Breguet numerals on blank chapter ring, finely painted polychrome enamel classical landscape view, applied varicoloured gold automaton scene depicting a couple playing lyres while a lady to the right weaves a crown of flowers, all in unison with the music, large circular case, ribbed band, an engraved pastoral scene to the back, repeating through the pendant, case numbered, cuvette signed and numbered
60 mm. diam.
注意事项
On lots marked with an + in the catalogue, VAT will be charged at 8% on both the premium as well as the hammer price.

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拍品专文

The present timepiece is a fine example of an automaton watch made in Geneva around 1820, featuring a repeating mechanism, a musical pin barrel and a scene with three automatons: a couple playing lyres while a seated lady is waving a crown of flowers. The varicoloured gold scene impresses by the delicately carved details, enhanced by the finely painted enamel background landscape view, demonstrating the celebrated art of enamel miniatures originating from Geneva in the early 19th century.

Although signed Roman Bordier & Cie., the movement can be attributed to Henry Capt, one of Geneva's most celebrated makers and renowned for his musical watches and automata of extraordinary quality. It impressively illustrates the ultimate development of Capt's work by using a Lépine-style movement with free standing barrel while maintaining the musical pin-drum at a time when most of the other Geneva makers were using the pin-disc or pin-cylinder version.

Henry-Daniel Capt (1773 - ?)
Henry-Daniel or Henri Capt, together with Isaac Piguet and Philippe Meylan, was one of the leading manufacturers of musical automata at the end of the 18th and beginning of the 19th century. He specialized in the production of complicated watches, musical and automaton timepieces also for the Chinese market. Around 1789 Capt settled in Geneva and worked for several renowned companies such as Jaquet-Droz, Godet, Leschot and his brother-in-law Isaac Daniel Piguet.

When Piguet left to enter a partnership with Philippe-Samuel Meylan in 1811, Henry Capt continued to work first on his own, later with his son Charles Henry, until around 1830, when he joined forces with Aubert and son, Place Bel-Air in Geneva.

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