L'Amour et l'Amitié, d'après Pigalle (recto); Deux fruits (verso)

细节

Paul Cézanne (1839-1906)
L'Amour et l'Amitié, d'après Pigalle (recto); Deux fruits (verso)
inscribed 'XXVI' (recto; upper left)
pencil on paper (recto); watercolour on paper (verso)
9 1/2 x 8 in. (24 x 20.3 cm.)
Drawn circa 1895 (recto); 1885-1890 (verso)

来源

The artist's estate.
Paul Cézanne, Jr., Paris, by descent from the above.
Paul Guillaume, Paris.
A. Chappuis, Tresserve.
Anonymous sale, Maurice Rheims, Palais Galliera, Paris, 23 March 1965, lot 14.
Private collection, New York, by whom acquired in 1965.
Acquired from the above in 2007; sale, Sotheby's, London, 23 June 2010, lot 265.

出版

L. Venturi, Cézanne, son art, son oeuvre, vol. I, Paris, 1936, no. 1316, p. 312 (illustrated, vol. II, pl. 355).
G. Berthold, Cézanne und die alten Meister, Stuttgart, 1958, no. 161, p. 104 (illustrated pl. 138).
A. Chappuis, The Drawings of Paul Cézanne, A Catalogue Raisonné, vol. I, London, 1973, no. 1044, p. 242 (illustrated vol. II, pl. 1044).
J. Rewald, Paul Cézanne, The Watercolours, A Catalogue Raisonné, London, 1983, no. 227, p. 139 (the verso illustrated).

注意事项

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拍场告示

Please note that this work will be included in the forthcoming online catalogue raisonné Paul Cézanne's watercolors, under the direction of Walter Feilchenfeldt, David Nash and Jayne Warman and is not currently online, as suggested in the last line of literature in the printed catalogue.

荣誉呈献

Jessica Brook

jbrook@christies.com +44 (0)20 7752 2742

拍品专文

This work will be included in the forthcoming online catalogue raisonné Paul Cézanne's watercolors, under the direction of Walter Feilchenfeldt, David Nash and Jayne Warman.

This drawing after Pigalle's marble sculpture Amour embrassant l'Amitié (Musée National du Louvres, Paris, inv. no. RF 297), is closely related to Cézanne's drawing of the same name which is in the collection of the Louvre (Venturi 1334; Musée National du Louvres, Cabinet des dessins, inv. no. RF 29933).

The present work stems from the Quatrième Carnet (pp. XXV-XXVI) which is one of a group of sketchbooks that Venturi dates to the period between 1879 and 1895. There is an indication in the dating of the third carnet that suggests it was executed in 1894, and therefore it seems likely that this work from the fourth carnet dates from the mid-1890s. Chappuis agrees with Venturi's dating of circa 1895, whilst Rewald dates Deux fruits between 1895-1890.

L'Amour et l'Amitié, d'après Pigalle (recto); Deux fruits (verso)

荣誉呈献

拍品专文

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