Littlewhitehead (B. 1980 & B. 1985)
Artist's Resale Right ("Droit de Suite"). Artist's… 显示更多
Littlewhitehead (B. 1980 & B. 1985)

It Happened In The Corner...

细节
Littlewhitehead (B. 1980 & B. 1985)
It Happened In The Corner...
plaster, wax, foam, synthetic hair and found clothes
overall: 70 7/8 x 70 7/8 x 43 ¼in. (180 x 180 x 110cm.)
Executed in 2007
来源
New Contemporaries, London.
Acquired from the above in 2009.
展览
Liverpool, Bloomberg New Contemporaries, A Foundation, 2008.
London, Saatchi Gallery, Newspeak, British Art Now, 2010-2011 (illustrated in colour, pp. 171-172). This exhibition later travelled to St. Petersburg, State Hermitage Museum; Adelaide, The Art Gallery of South Australia, 2010-2011.
The Hague, Nest, How Art Things, 2012.
Enschede, Concordia, Nothing Comes to Mind, 2014.
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. VAT rate of 20% is payable on hammer price and buyer's premium

拍品专文

Scottish duo Littlewhitehead explain that ‘Within our work there is a strong connection between the reality that surrounds us and some kind of escapism to a made-up world. This made-up world is the construct of a dialogue between the two of us, which infuses scenes from an encyclopaedic range of references, from video nasties, to current events, and subconscious musings. It is in that world, unlike the one we actually inhabit, where we can fulfil these sinister desires.’ It Happened in the Corner… is a lifesize installation of a gang of hoodies, informed by the working-class culture of the artists’ native Glasgow. The seven youths, convincingly recreated with real clothes and hair, all face into the corner of the room. Seemingly watching an event to which we are not made witness, their faces are hidden, their roles and motives unknown. We will never know what’s taking place. While we might instinctively read the scene as ominous or menacing, however, the gang themselves are relegated to anonymity in the corner: faceless and voiceless, they are made passive subjects to our gaze, their forced isolation exposing the punitive paranoia of prejudice and stereotype.