Ernst Ludwig Kirchner (1880-1938)
PROPERTY FROM A PRIVATE EUROPEAN COLLECTION
Ernst Ludwig Kirchner (1880-1938)

Stepptanz

细节
Ernst Ludwig Kirchner (1880-1938)
Stepptanz
signed 'E.L. Kirchner' (centre right); with Nachlass stamp (Lugt 1570b; on the reverse)
watercolour and pencil on paper
8 1/4 x 10 1/8 in. (21 x 25.7 cm.)
Executed circa 1911
来源
The artist's estate.
Galerie Meta Nierendorf, Berlin, by 1961.
Carus Gallery, New York, by 1973.
Anonymous sale, Hauswedell & Nolte, Hamburg, 7 June 1991, lot 32.
Acquired at the above sale by the present owner.
出版
W. Grohmann, Kirchner-Zeichnungen, vol. 6, Dresden, 1925, no. 25, (illustrated; dated '1908').
展览
Berlin, Galerie Meta Nierendorf, E. L. Kirchner, Aquarelle, Pastelle, Handzeichnungen, November 1961 - February 1962, no. 30, p. 17 (illustrated; titled 'Tanzpaare').
Leipzig, Museum der bildenden Künste, Ernst Ludwig Kirchner: Zeichnungen, Aquarelle, Pastelle aus einer Privatsammlung, December 1992 - January 1993, no. 4, p. 4 (illustrated; dated '1908-10'); this exhibition later travelled to Wuppertal, Von der Heydt-Museum, February - May 1993.
Berlin, Brücke-Museum, Aquarelle der Brücke, September 1995 - January 1996, no. 4 (illustrated).
Bonn, Kunstmuseum, Ernst Ludwig Kirchner, Farbige Werke auf Papier, May - August 1999, no. 21, p. 173 (illustrated p. 93; dated '1908-10').
Aschaffenburg, Galerie der Stadt, Ernst Ludwig Kirchner: Leben ist Bewegung, November 1999 - February 2000, no. 60, p. 218 (illustrated p. 161; dated '1910'); this exhibition later travelled to Oldenburg, Landesmuseum, March - June 2000.
Hamburg, Hamburger Kunsthalle, Im Zentrum: Ernst Ludwig Kirchner, October 2001 - January 2002, no. 37, p. 179 (illustrated p. 39; dated '1910'); this exhibition later travelled to Berlin, Brücke Museum, and Davos, Kirchner Museum.

拍品专文

This work is listed in the Ernst Ludwig Kirchner archives, Wichtrach/Bern.


The dance is a theme which runs through Ernst Ludwig Kirchner's entire oeuvre as it is one of his favourite subjects. Kirchner went to see all possible dance performances: at the circus, the cabaret and music halls in the Metropolis Berlin, as well as the dancing halls and local farmer dances in Switzerland. And the artist was fascinated by all possible dance formations: couples and groups as well as single dancers.

The watercolour Stepptanz shows a dance group on a small stage. Four dancers, consisting of two couples, are outlined in pencil. Kirchner then placed emphasis on the costumes with the use of colour. The synchronised dance is emphasized by the identical postures of the dancers and their obvious sequencing. This is supported by the lines of the stageboards on which the dancers move as if on a piano keyboard. The speed and liveliness of the movement, which is characteristic of the quilting dance in all its precision, is transported by Kirchner through the multiple overlapping and intersecting lines of the legs.

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