Uwe Kowski (B. 1963)
Artist's Resale Right ("Droit de Suite"). Artist's… 显示更多
Uwe Kowski (B. 1963)

Boot

细节
Uwe Kowski (B. 1963)
Boot
signed and dated 'Kowski 07' (lower right); signed, titled and dated 'U. KOWSKi BOOT 2007' (on the reverse)
oil on canvas
78 ¾ x 94 ½in. (200 x 240cm.)
Painted in 2007
来源
Galerie EIGEN+ART, Leipzig/Berlin.
Acquired from the above by the present owner.
注意事项
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent. These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.

荣誉呈献

Paola Saracino Fendi
Paola Saracino Fendi

拍品专文

’The way we perceive the world, is the way we influence it. I see that in reference to economic interests and their consequences, to the latest technological developments, you could say. That development goes and has always gone along with a change of perception, or which knowledge we give priority to, what we learn from that and what kind of development we pursue. In this respect complexity in perception is difficult, too. It requires willingness to look precisely in lots of directions... The translation of perception is the determining aspect for an artist. Sure, you can try not to let perception enter your work, but you cannot detach from perception. There are different ways to a transformation within my work. I mean that sometimes a result is achieved faster and sometimes it is a long process. Complexity in this case means that the seen merges with different thoughts into an image. This process often lasts while the painting develops.’ –U. KOWSKI

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