IRVING PENN (1917–2009)

Marcel Duchamp, New York, April 30, 1948

细节

IRVING PENN (1917–2009)
Marcel Duchamp, New York, April 30, 1948
gelatin silver print, printed 1983
signed, titled, dated and numbered '12275' in pencil, stamped photographer's/Vogue copyright credit and edition (verso); credited, titled and dated on affixed exhibition label (frame backing board)
image: 9 1/2 x 7 1/2 in. (24 x 19 cm.)
sheet: 10 x 8 in. (25.5 x 20.4 cm.)
This work is from an edition of twenty-five signed, silver prints.

来源

Acquired from a private collection, 2005.

出版

Irving Penn, Moments Preserved, Simon and Schuster, New York, 1960, p. 128.
John Szarkowski, Irving Penn, Museum of Modern Art, New York, 1984, pl. 13.
Exhibition catalogue, Irving Penn photographs, Wildenstein Tokyo, Tokyo, 1997, pl. 4, p. 16.
Colin Westerbeck, Irving Penn: A Career in Photography, Art Institute of Chicago, Chicago, 1997, pl. 19, p. 67.
Sarah Greenough, Irving Penn: Platinum Prints, National Gallery of Art, Washington, D.C., 2005, pl. 18.

拍品专文

'Sometime in 1948 I began photographing portraits in a small corner space made of two studio flats pushed together, the floor covered with a piece of old carpeting. A very rich series of pictures resulted […] This confinement, surprisingly, seemed to comfort people, soothing them. The walls were a surface to lean on or push against. For me the picture possibilities were interesting; limiting the subjects' movement seemed to relieve me of part of the problem of holding on to them.'—Irving Penn

Marcel Duchamp, New York, April 30, 1948

拍品专文

更多来自 PHOTOGRAPHS INCLUDING PROPERTY FROM THE MUSEUM OF MODERN ART