RUDOLF KOPPITZ (1884–1936)
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RUDOLF KOPPITZ (1884–1936)

Bewegungsstudie (Movement Study), 1925

细节
RUDOLF KOPPITZ (1884–1936)
Bewegungsstudie (Movement Study), 1925
bromoil transfer print, with original overmat
signed in pencil (margin); signed in pencil (overmat); stamped photographer's Vienna studio credit and reproduction limitation, dated and annotated in pencil (verso)
image: 15 x 11 1/2 in. (38 x 29.2 cm.)
sheet: 19 3/4 x 17 in. (50.1 x 43.2 cm.)
overmat: 24 x 17 1/2 in. (60.9 x 44.4 cm.)
来源
By descent from the artist to his daughter;
acquired from the above by the present owner, 1999.
出版
Monika Faber, Rudolf Koppitz, 1884-1936, Verlag Christian Brandstatter, Vienna, 1995, p. 83.
注意事项
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.

拍品专文

Entitled Movement study, Koppitz’s impactful and most celebrated image certainly suggests, in the elegant lines of the naked central figure and her three draped attendant figures, a moment from the choreography of a modern dance–eternally stilled and frozen in the moment through photography. This composition attracted considerable attention in its day and fine prints of the image were exhibited in photo-salons all over the world. Such attention was well deserved, as is the esteem in which the subject is still held by historians and collectors. For, beyond the immediate appeal of its enigmatic, haunting character, its dark and mystical eroticism, the image remains powerfully emblematic of a time and place, of the cultural mood of Vienna in the 1920s, in a way that resonates through the decades.

Because the photographer has used the bromoil transfer process to create this oversized variant, the resulting image appears laterally reversed from its more commonly known orientation. With the bromoil transfer technique, the artist can add ink to darken areas or use a brush to clear highlights and lighten shadows in between inkings of the image. This flexibility provides for total control of tonal values by the artist, while allowing for subtle variations in each unique, hand-inked print.

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