拍品专文
This work will be included in Betsy James Wyeth's forthcoming catalogue raisonné of the artist's work.
Five and a Half depicts the artist's studio window in Chadds Ford, Pennsylvania, with Ben Loper's corn-cutting knife and apples resting on the sill. The same window is also seen in watercolors such as Willard's Coat (1968, Collection of Jane Wyeth), Willard's Lunch (1968), Corn Cutting Knife (1957, McNay Art Museum, San Antonio, Texas), Saracen Helmet (1981) and Frostbitten (1962, Private Collection).
Five and a Half depicts the artist's studio window in Chadds Ford, Pennsylvania, with Ben Loper's corn-cutting knife and apples resting on the sill. The same window is also seen in watercolors such as Willard's Coat (1968, Collection of Jane Wyeth), Willard's Lunch (1968), Corn Cutting Knife (1957, McNay Art Museum, San Antonio, Texas), Saracen Helmet (1981) and Frostbitten (1962, Private Collection).