细节
John Marin (1870-1953)
Weehawken Sequence
oil on canvasboard
9 ½ x 12 3/8 in. (24.1 x 31.4 cm.)
Painted circa 1910.
来源
An American Place, New York, by 1950.
The Downtown Gallery, New York, 1959.
The Edith Gregor Halpert Collection, New York.
Sotheby Parke-Bernet, New York, 20th Century American Paintings, Drawings, Watercolors and Sculpture: The Edith Gregor Halpert Collection (The Downtown Gallery), 16 May 1973, lot 124, sold by the above.
Acquired by the late owners from the above.
出版
F. Porter, "The Nature of John Marin," Art News, vol. LIV, March 1955, p. 25, illustrated (as Weehawken Cliffs).
L. Campbell, "Reviews and Previews," Art News, vol. LVII, February 1959, p. 11, illustrated.
E. Genauer, "Suddenly They Dig Old Roots," New York Herald Tribune, April 1, 1962, section 4, p. 7, illustrated.
S. Preston, "Two-Way Glances," New York Times, April 1, 1962, p. 15, illustrated (as Weehawken Sequence #7).
"The Halpert Bequest," Time, November 27, 1964, p. 83, illustrated.
J. Barnitz, et al., The David and Peggy Rockefeller Collection: Art of the Western Hemisphere, vol. II, New York, 1988, pp. 80-82, no. 36, illustrated.
展览
Venice, Italy, XXV Biennale di Venezia, U.S. Representation, John Marin, June-October 1950, one of nos. 1-8.
Boston, Massachusetts, Museum of Fine Arts; Washington, D.C., Phillips Memorial Art Gallery; San Francisco, California, San Francisco Museum of Art; Los Angeles, California, University of California, The Art Galleries; Cleveland, Ohio, Cleveland Museum of Art; Minneapolis, Minnesota, Minneapolis Institute of Arts; Palm Beach, Florida, The Society of The Four Arts; Athens, Georgia, University of Georgia; New York, Whitney Museum of American Art, John Marin Memorial Exhibition, March 1, 1955-July 29, 1956, one of four paintings grouped as no. 1.
New York, The Downtown Gallery, Abstract Painting in America, 1903-1923, March 27-April 21, 1962, no. 25, illustrated.
Washington, D.C., The Corcoran Gallery of Art, The New Tradition: Modern Americans Before 1940, April 27-June 2, 1963, pp. 13, 62, no. 61, illustrated (as Weehawken Sequence #1).
Fort Worth, Texas, Amon Carter Museum, American Art, 20th Century: Image to Abstraction, September 14-November 19, 1967.
Storrs, Connecticut, University of Connecticut Museum of Art, Edith Halpert and The Downtown Gallery, May 25-September 1, 1968, no. 1, illustrated.
Washington, D.C., National Collection of Fine Arts, Smithsonian Institution, Edith Gregor Halpert Memorial Exhibition, April 7-June 25, 1972, no. 17.
注意事项
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is a lot where Christie’s holds a direct financial guarantee interest.
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