Please note for tax purposes, including potential … 显示更多

Masterpieces by Richard Diebenkorn: Property Sold to Benefit the Donald and Barbara Zucker Family Foundation

Richard Diebenkorn (1922-1993)

Untitled

细节

Richard Diebenkorn (1922-1993)
Untitled
acrylic, gouache and charcoal on paper
27 x 25 in. (68.5 x 63.5 cm.)
Executed in 1981.

来源

Estate of the artist
Artemis Greenberg Van Doren Gallery, New York
Acquired from the above by the present owner, 2004

出版

J. Livingston and A. Liguori, eds., Richard Diebenkorn, The Catalogue Raisonné, Volume Four: Catalogue Entries 3762-5197, New Haven and London, 2016, p. 319, no. 4478 (illustrated).

展览

New York, Artemis Greenberg Van Doren Gallery, Richard Diebenkorn: Works on Paper; Ocean Park, Clubs and Spades, April-May 2004, p. 7, pl. 3 (illustrated).

注意事项

Please note for tax purposes, including potential sales tax, NFTs may be considered a digital service or digital product and thus Christie’s may be required to collect relevant taxes dependent on local laws. For tax rate information, you may wish to consult an independent tax advisor Please note that you may elect to make payment of the purchase price for this lot in the cryptocurrency Ether. Payment in Ether must be made via a digital wallet transfer of Ether to Christie’s. The digital wallet must be maintained with Coinbase Custody Trust; Coinbase, Inc.; Fidelity Digital Assets Services, LLC; Gemini Trust Company, LLC; or Paxos Trust Company, LLC. Only Ether payments sent from digital wallets maintained at these platforms will be credited towards this lot purchase, and we will not recognize payments from digital wallets hosted at other exchanges or self-hosted wallets. The digital wallet must be registered to you, or, if you registered a bid as a company, then in the name of the company. You agree, upon our request, to provide documentation confirming that the

拍品专文

"Clubs and spades have been in my work ever since I have been painting. They came on peripherally. I have tossed them in occasionally, but I have never confronted them directly. I used them this time because I wanted some sort of image that would hold its presence. An image that I could manipulate, and... I decided to develop those shapes. I knew they were going to be the main focus. You see, I knew those shapes had emotional charge for me, but I didn't expect that charge to last as long as it did" (R. Diebenkorn quoted by S. Bancroft, A View of Ocean Park, Richard Diebenkorn: The Ocean Park Series, Orange County Museum of Art, Newport Beach, 2011).

Untitled

拍品专文

更多来自 战后及当代艺术 （上午拍卖）

更多来自战后及当代艺术（上午拍卖）